Archive for July, 2010

Book buzz: the ones to watch


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Posted: 14 July 2010 at 4:07 pm

The Australian Booksellers Association held its annual conference in sunny Brisbane last weekend. Cue a whole load of book talk. Among the highlights was the now regular ‘book buzz’ session, in which booksellers and publishers face off—introducing the audience to their pick of the titles coming up in the months ahead.

So who pitched what this year?

Brett Osmond, sales and marketing director at Random House Australia, spruiked To the End of the Land (David Grossman), Trash (Andy Mulligan) and I Came To Say Goodbye (Caroline Overington); Matt Hoy of Hachette Australia recommended Even Silence Has an End (Ingrid Betancourt), The Brave (Nicholas Evans) and Things Bogans Like (E C McSween); while Allen & Unwin CEO Robert Gorman talked up The Hundred Foot Journey (Richard C Morais), Sunset Park (Paul Auster) and Mice (Gordon Reece).

As for the booksellers, Catherine Schultz of Fullers Bookshop in Tasmania had good things to say about Juliet (Anne Fortier, HarperCollins), Theodora (Stella Duffy, Little, Brown) and The Baby of Belleville (Anne Marsella, Portobello Books); Chris Page of Sydney’s Pages & Pages will be recommending In the Company of Angels (Thomas E Kennedy, Bloomsbury), The Body in the Clouds (Ashley Hay, A&U) and The Tiger (John Vaillant, Hachette); and  Suzy Wilson of Riverbend Books in Brisbane spruiked Room (Emma Donoghue, Picador), The Report (Jessica Francis Kane, Graywolf Press) and It’s a Book (Lane Smith, Walker Books).

INTERVIEW: Darren Groth on ‘Kindling’ (Hachette)


Posted: 14 July 2010 at 9:39 am

Bookseller+Publisher reviewer Toni Whitmont spoke to author Darren Groth about his new novel Kindling (Hachette).

Kindling is instantly recognisable as an Australian story. Fear of fire is seared into our national psyche. You now live in Canada. Did you have to leave Australia in order to get enough perspective to write the story?

Not at all. Where I happened to be whilst writing Kindling didn’t really factor into getting it down on the page. I wrote the first half of the story before we moved, and had we stayed in Australia, Kindling still would have turned out quite similar to what it is today. Regarding perspective, the Black Saturday bushfires provided plenty; not so much in terms of the story (I was nearing the end of the draft when the tragedy occurred), but more from the point of view of being an Australian living overseas. Looking at the newspapers online, reading the stories, seeing the terrible photos, I felt a very deep sense of shock, sadness and dislocation. I felt I couldn’t adequately convey to the Canadian people around me the horror of the situation, nor the sense that this affected me in a way that emphasised my difference and relative isolation.

How did you manage to capture the voice of the autistic boy with such authenticity?

My eight-year-old son has autism. When I began the work, he was five. In imagining Kieran, I started with what I’d seen and heard and experienced with my boy. Kindling has numerous things going on that are recognizable to my wife and I. A good example is the three books Kieran is interested in at the Garretts’ house. Those books were my son’s favourites (he still pulls out the Golden Retriever one every now and again). He would routinely ‘read’ them, looking at the cover and poring over the pages and photos. Titbits like these were combined with the learnings I’d accumulated as the parent of an autistic child. I also got out the crystal ball a bit, tried to imagine the autistic experience at 10 years of age. I’m pleased beyond words that people feel I’ve captured Kieran authentically. Ensuring he was believable and true was important for my son, the autistic community, and obviously for Kindling itself.

Is this a story about an autistic boy running away to a suburban fire or is there something deeper going on?

At face value, Kindling reflects much of my work to this point. It is a small, simple story, chronicling small, good people contending with big, bad life challenges. Beneath that, there are certainly some deeper layers I wanted to dig into. The idea of heroism. Of making amends for past wrongs, perceived or otherwise. The prevailing definitions, descriptors and stereotypes that govern society’s understanding (or lack thereof ) of autism. And the notion of respect for difference; how we treat others who challenge the construct of what is ‘acceptable’ and ‘normal’. (more…)

BOOK REVIEW: The Old School (P M Newton, Viking)


Posted: 13 July 2010 at 11:52 am

The television series ‘Underbelly’ has stirred up a lot of interest in organised crime and corruption in this country. Drugs, cops and power, it seems, don’t make a great mix in civilised societies. In crime novels, however, they’re fertile territory, packed with questions of trust, doublecrosses, naked greed and plenty of cold, hard cash. P M Newton worked in the NSW police force for 13 years and it shows in the details of this crime novel. The Old School is set in Sydney in the early 1990s when corruption was being exposed in the police force. It traces the career of young undercover detective Nhu ‘Ned’ Kelly as she (yes, it’s a she, for a change) investigates how a couple of dead bodies came to be buried in the foundations of an old Bankstown building. Naturally this leads Ned into the dark heart of Sydney politics and its old school policing, as well as her own family. I liked the fact that this novel steered away from the ‘traditional’ setting of Kings Cross, concentrating instead on Bankstown in western Sydney. While the story was reasonably well plotted, it was the details in this book that made it seem authentic.

Shane Strange is an ex-bookseller and writer. He is currently teaching creative writing at the University of Canberra. This review originally appeared in the July 2010 issue of Bookseller+Publisher magazine. You can read about the current issue here.

Most mentioned books this week


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Posted: 12 July 2010 at 4:20 pm

Justin Cronin’s novel The Passage garnered top spot on our most mentioned chart this week–for mentions including some very positive reviews. ‘This post-apocalyptic epic is like bingeing on a DVD box set,’ writes Age arts editor Michelle Griffin–and she means that in a good way. In her review of Cronin’s vampire adventure Griffin makes the claim that the best storytelling in the past decade has been on TV, not in novels. However, she obviously doesn’t hold much hope for the proposed Ridley Scott adaptation of the novel for the big screen (Scott bought the rights before the book was complete)–‘boiled down to film length, The Passage would lose its poetency,’ she writes. ‘It would work better on the small screen.’

Learning to balance: Nicholas Carr’s ‘The Shallows’ (Atlantic)


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Posted: 9 July 2010 at 4:35 pm

Nicholas Carr lays out his non-Luddite credentials early on in The Shallows—his critical look at ‘how the internet is changing the way we think, read and remember’ (Atlantic, August). In the first chapter, ‘Hal and Me’, he tells us that in 1986 he spent nearly all his savings on one of the earliest Macs, which he used to lug between home and work, and he has since followed the enthusiast’s trajectory right through from that machine’s ‘HyperCard’ program—an early hypertext system—to the heady mix of social networking that is today’s online world.

This introduction is calculated to head off easy criticism by those who would claim Carr is critical of our internet use because he either doesn’t’ get it or doesn’t like it. Clearly, neither is true.

Instead, Carr acknowledges the appeal and myriad opportunities the internet presents, while also wishing to examine the way the medium is changing us. Not surprisingly, Marshall McLuhan’s famous maxim ‘the medium is the message’, is central to Carr’s thesis that the advent of the internet represents a wholesale change in the way we think.

To make his point, Carr takes us through a history of our communication. When writing developed in our previously oral culture, he points out, it was some time before we developed the inclination or ability to read quietly to ourselves (instead of simply using the words on the page as a tool for oration). When we did develop this skill—and when the invention of the Gutenberg press meant this option was available to many more in society—the activity changed our minds.

‘For most of history, the normal path of human thought was anything but linear,’ writes Carr. Evolution had taught us to be alert to movement, open to distraction. ‘To read a book was to practice an unnatural process of thought, one that demanded sustained, unbroken attention to a single, static object. It required readers to place themselves at what T S Eliot, in Four Quartets, would call “the still point of the turning world”.’

Such reading encouraged deep thinking, says Carr. ‘In the quiet spaces opened up by the prolonged, undistracted reading of a book, people made their own associations, drew their own inferences and analogies, fostered their own ideas. They thought deeply as they read deeply.’

The internet, with its proven ability to ‘distract’ us (Carr cites studies that point to the disruptive effect on comprehension of the mere existence in a text of hyperlinks), proves a direct threat to this deep, ‘unnatural’ way of thinking—to the Gutenberg way of thinking. At heart, The Shallows is a love song to the book and (another) warning that we are soon to lose not only the book as we know it, but the way of thinking it ushered in. ‘Like our forebears during the later years of the Middle Ages, we find ourselves today between two technological worlds,’ writes Carr. ‘After 550 years, the printing press and its products are being pushed from the center of our intellectual life to its edges.’

To those in the book industry, this sounds a familiar alarm, and Carr’s overview of Google’s Book Search, the Kindle and other ereaders, as well as his imagined future of the book, will be of interest. But to many, the response may well be ‘so what?’ What is so dire about this change? (more…)

Bestsellers this week


Posted: 8 July 2010 at 4:53 pm

Sizzling Sixteen (Janet Evanovich, Hachette) is the latest romance-mystery-thriller from the series featuring bounty hunter Stephanie Plum. Sizzling Sixteen is number one on Nielsen BookScan’s highest new entries chart this week. The Short Second Life of Bree Tanner (Stephenie Meyer, Hachette) is again number one on the bestseller chart, followed the Stieg Larsson’s ‘Millennium Trilogy’ (Quercus) in second, third and fifth place. The Dukan Diet (Pierre Dukan, Hachette) is in fourth place and Private (James Patterson, Century) is in sixth place in the bestsellers. There’s been a surge in sales for The Girl with the Dragon Tattoo (Stieg Larsson, Quercus) as it tops the fastest mover chart. This is followed by Truth (Peter Temple, Text), winner of the 2010 Miles Franklin Literary Award—Weekly Book Newsletter.

BOOK REVIEW: Making News (Tony Wilson, Pier 9)


Posted: 7 July 2010 at 12:43 pm

Tony Wilson’s second novel is a scathing commentary on tabloid journalism’s gorge on the greasy spoon of contemporary celebrity. As well as, almost fondly, rewriting football history—Australia defeats Italy in the 2006 World Cup—it offers substantial, if easy, entertainment with biting wit. Charlie Dekker is a principled, Beckham-like football star who has only recently retired from playing Premier League and Socceroos matches alongside the likes of Cahill, Neil and Schwarzer. His wife, Monica, is a highly strung superstar of the ‘selfhelperati’ circuit. His son, Lucas, is a doe-eyed 16-year-old who prefers writing to football, and wins a trainee stint with the sensationalist British paper The Globe. When Charlie’s entanglement in a sordid scandal threatens to wreck the Dekkers’ respective careers, the young lad’s gonzo idealism puts his family’s dramas and his own moral and ethical dilemma on the front page. Making News is a fast-paced, near-realist melodrama sliced through with box-cutter blade humour. Previous comparisons with Ben Elton and Shane Maloney are not misplaced; it should have no trouble picking up good press.

Lee McGowan works at Riverbend Bookshop in Brisbane. This review first appeared in the July issue of Bookseller+Publisher.

All liquored up …


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Posted: 6 July 2010 at 1:42 pm

No, not us, our cover. The new issue (August) has landed and the cover is a celebration of, well, ouzo, but also Food from Many Greek Kitchens, the new book coming from the one and only Tessa Kiros in October (Murdoch Books).

The new mag has plenty else to recommend it: news, author Q+As with Kimberley Freeman, L A Larkin and Charlie Pickering, a round-up of Father’s Day titles to look out for come September and, of course, all our reviews.

This time around the titles reviewed include some November releases, among them Preincarnate by Shaun Micallef (Hardie Grant), which reviewer Dani Soloman has awarded five stars. ‘This book sees Shaun Micallef swing a sledgehammer through the fourth wall of literature in order to take his readers on an impossible journey through time,’ writes Soloman. ‘Micallef has managed to transfer his irreverent sense of humour onto the page beautifully, producing a book that is as interesting, clever, funny, distinguished and as good-looking as the Silver Fox himself.’

Also among our reviewers top picks this time around were Bereft by Chris Womersley (Scribe, September), which, Angela Meyer writes, is ‘a rich, gripping tale of love, loss, conflict and salvation’ (‘I had that very rare experience of wanting to read it again, almost immediately,’ she says); YA novel The Innocents by Nette Hilton (Woolshed Press, August), which Jan Bull says ‘has the suspense of Michael Grant’s Gone and the rites of passage elements of Wendy Mass’ The Mango-Shaped Space‘; Singing Saltwater Country: Journey to the Songlines of Carpentaria (John Bradley & Yanyuwa Families, A&U, August), which Clive Tilsley says is ‘an engrossing book’ that should be read by ‘anyone with even the smallest interest in Australia’; and Like Being a Wife (Catherine Harris, Vintage, September), a collection of short stories that Rachel Wilson says ‘firmly lives up to’ some high expectations.

In children’s titles, Chris Morphew’s third book in ‘The Phoenix Files’ series, Mutation (Hardie Grant Egmont, August), got an emphatic thumbs up from reviewer Meredith Tate and Kumiko and the Dragon’s Secret (Briony Stewart, UQP, August) charmed Robin Morrow.

These are only a handful of the more than 40 titles reviewed in the issue, check out the magazine itself for more. (Subscribers, look out for your copy, non-subscribers, here’s a list of places good enough to stock the mag, as well as details on how to subscribe.)

Fancy Goods questionnaire: Clive Tilsley of Fullers Bookshop


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Posted: 6 July 2010 at 11:31 am

Clive Tilsley is the owner of Fullers Bookstores in Hobart and Launceston and a regular reviewer for Bookseller+Publisher magazine. Here, he shares his reading choices with us…

What are you reading right now?

Caravaggio: A Life Sacred and Profane by Andrew Graham-Dixon, due in August. I just love all that madness mixed up in art, sex, religion and being Italian.

What book do you always recommend?

A Fine Balance by Rohinton Mistery. This is such a complete look at humanity.

What book are you most looking forward to?

A catalogue raisonne for Picasso with top quality reproductions! Could I afford it?

What book made you wonder what all the fuss was about?

Anything by Madonna, makes you wonder when Lady Ga-Ga and Pink will enter the literary market.

What’s the best book you’ve read that no-one’s ever heard of?

Red Shift by Alan Garner—does anybody remember it? This is the most violent book I have ever read and I have never forgiven the female ‘cheater’.

Obligatory desert island question—which book would you want with you?

Robert Hughes book on Frank Auerbach—the best piece of writing on art.

Is there a book you’ve bought for the cover?

There was a bottom on a Jilly Cooper novel that looked good on the shelf spine out. I can’t remember the title because I never read it.

Hardback, paperback or digital?

Hardback for art and paperback for fiction.

If I were a literary character I’d be…

Probably Smiley in the John le Carre novels. Or on a sunny day Tom from How Tom Beat Captain Najork and His Hired Sportsmen. Tom after all ended up with Bundlejoycosysweet!

The best thing about books is…

They are full of ideas and new things—the best way to keep the grey cells firing.

Most mentioned books this week


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Posted: 6 July 2010 at 8:59 am

The Passage (Justin Cronin, Orion) certainly came with some compelling publicity–movie rights picked up by Ridley Scott before the book was even finished–but it wasn’t enough to bump two Australian titles off the top of our most mentioned chart this week. John Birmingham’s After America (Macmillan) came in at number one, followed by Fiona Capp’s My Blood’s Country (A&U). John Grisham’s Theodore Boone (Hodder & Stoughton) came in a number four. Harper Lee’s classic To Kill a Mockingbird (various imprints) also gained media mentions because of its 50th anniversary–Media Extra.