Archive for November, 2011

BOOK REVIEW: Among the Islands: Adventures in the Pacific (Tim Flannery, Text)


Posted: 17 November 2011 at 10:57 am

In search of critically endangered mammals in the Pacific, a young Tim Flannery spent much of the late 1980s exploring some of the world’s final frontiers, encountering killer snakes, corrupt officials, mountains of bat faeces and stories of cannibalism along the way. He tells his story with an infectious passion for the wildlife he studied, and also pays homage to the colonial explorers in whose footsteps he followed. Flannery, who is currently serving as chief commissioner of the independent Climate Commission, makes clear the impact of climate change on threatened species but avoids preaching. Indeed, Among the Islands is surprisingly funny at times, particularly when Flannery reflects on the often eccentric colleagues and predecessors who shared his passion for endangered creatures. This is the third book in a loose trilogy that includes Throwim Way Leg and Country. It is a rollicking adventure story that will entertain amateur zoologists young and old. By populating the narrative with interesting characters as well as fascinating creatures and spectacular environments, Flannery also keeps the story interesting for those without a deep interest in science.

Andrew Rankin is a former REDgroup employee. This review first appeared in the October issue of  Bookseller+Publisher magazine.

Bookish dates for 2012


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Posted: 16 November 2011 at 7:58 am

It’s never too early (or nerdy) to start filling in next year’s diary. Here are some key dates for the book industry:

  • Taipei International Book Exhibition: 1-6 February
  • Perth Writers Festival: 23-26 February
  • Adelaide Writers’ Week: 3-8 March
  • New Zealand Post Writers and Readers Week: 9-14 March
  • Leading Edge Conference (Melbourne): 9-11 March
  • Bologna Children’s Book Fair: 19-22 March
  • London Book Fair: 16-18 April
  • WordStorm (Darwin): May
  • Mother’s Day (Australia and NZ): 13 May
  • Sydney Writers’ Festival (including NSW Premier’s Literary Awards, SMH Young Novelists of the Year Award): 14-20 May
  • New Zealand Post Children’s Book Awards: 16 May (shortlist on 28 February)
  • APA Book Design Awards (Sydney): 17 May
  • Australian Book Industry Awards (Sydney): 18 May
  • CBCA National Conference (Adelaide): 17-19 May
  • Book Expo America: 4-7 June
  • ABA annual conference (Sydney): 17-18 June
  • Miles Franklin Literary Award (Brisbane): 20 June (shortlist in April)
  • Prime Minister’s Literary Awards: July (shortlist in May)
  • New Zealand Post Book Awards: 1 August (shortlist on 6 June)
  • Booksellers NZ annual conference: 2-3 August
  • Byron Bay Writers’ Festival: 3-5 August
  • National Bookshop Day (Australia): 11 August
  • CBCA Book Week: 18-24 August
  • Storylines Festival of New Zealand Children’s Writers and Illustrators: 18-26 August
  • Melbourne Writers Festival (including Victorian Premier’s Literary Awards, Age Book of the Year Awards and Ned Kelly Awards): 24 August to 2 September
  • Father’s Day (Australia and NZ): 2 September
  • Indigenous Literacy Day: 5 September
  • Brisbane Writers Festival—50th birthday (including Queensland Premier’s Literary Awards): 5-9 September
  • Man Booker Prize: October (shortlist in September)
  • Nobel Prize for Literature: October
  • Ubud Writers & Readers Festival: 3-7 October
  • Frankfurt Book Fair (guest of honour is New Zealand): 10-14 October

BOOK REVIEW: Tell Them to Get Lost (Brian Thacker, William Heinemann)


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Posted: 16 November 2011 at 7:48 am

The gimmick behind Brian Thacker’s travel tale Tell Them to Get Lost is that his journey is inspired—and guided—by South East Asia on a Shoestring, the first guidebook by Lonely Planet founders Tony and Maureen Wheeler, published in 1975. Beginning at Tony Wheeler’s desk in Melbourne, Thacker travels through East Timor, Indonesia, Malaysia, Thailand, Laos, Burma and Singapore, finishing his journey at the very hotel in which the Wheelers wrote their original guidebook. As a bonus, Tony Wheeler makes an appearance during the Indonesian leg of Thacker’s trip, roping him into a writers’ festival panel at Ubud. This story is very much a tribute to the Wheelers—in particular Tony Wheeler, who becomes Thacker’s role model and is imagined as a bell-bottomed hippy riding a motorcycle through the jungles of Asia. The story also takes a personal turn when Thacker meets a girl during the trip who agrees to travel with him, but is terrified of the bacteria in the substandard hotel beds. She later becomes his wife. Unsurprisingly, Thacker has trouble finding many of the hotels listed in the original guidebook, while those he does find are remarkably unchanged—in the sense that either they are still the quality institutions they were 25 years ago, or that their sheets haven’t been changed for 25 years. Quotes from the original guidebook and the 2010 edition are compared at the beginning of each chapter, and show—hilariously—what has changed and what has unfortunately remained the same. While this book reveals the effects of mass-tourism on a place, it is also interesting to note the effects of a lack of tourism on struggling communities in places such as East Timor, Burma and Samosir Island in Indonesia. This is a fun read from a well-travelled writer.

Andrew Wrathall is publishing assistant at Bookseller+Publisher

Believe It or Not! Ripley’s archivist Edward Meyer visits Australia


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Posted: 15 November 2011 at 3:05 pm

Edward Meyer holds a shrunken head, which he gave to book distributor Ice Water Press.

Earlier this month Ripley’s vice president of exhibits and archives, Edward Meyer, travelled to Australia as a guest of Ice Water Press, the Australian publisher of the latest book in the Ripley’s franchise Ripley’s Believe it or Not! Strikingly True (Geoff Tibballs). Andrew Wrathall met the man behind the collection.

How did the Shuar tribe from the jungles of Peru shrink the heads of its enemies? ‘They slice the skin, cutting at the back of the head from bottom to top,’ explains Edward Meyer, vice president of exhibits and archives at Ripley’s Believe It Or Not, on his recent visit to Australia.

‘They peel the skin back, like opening a book. They take the bone and the brain out and typically throw it away. They sew the skin of the head back up, put the string in it so they can hold onto it. The eyes are closed, the mouth is closed, and typically the ears are closed. All the orifices are closed so the spirit can’t get out.

‘The head is then turned upside down and boiled. The cavity is filled with hot rocks and sand to keep the shape, taking it out of the water now and then to keep it pliable. The head is boiled for three days, to become the size of a fist. When it is the size that they want, they smoke it over the fire, which hardens the skin. Then they wear it as a necklace for 12 moons.’

Meyer demonstrates how a shrunken head is worn—an act that is made less ghastly by the fact that he is holding a replica. Shrunken heads are rare today, he explains, because after a year the souls of the enemies were considered captured, and the heads were thrown away.

Meyer is in charge of acquiring the strange and bizarre for the many Ripley’s Museums around the world, including Ripley’s Australian museum at Surfers Paradise, and has personally bought 109 shrunken heads.

But the interest in shrunken heads goes back to the company’s founder, Robert Ripley, who discovered the tourist trade in these grisly objects in the early 20th-century. Ripley began his career as a cartoonist recording exotic places in journals, and with funding from media tycoon William Randolph Hearst, he published the first Believe it or Not, which stayed in print for over 20 years. The latest book in the Ripley’s franchise is Ripley’s Believe it or Not! Strikingly True (Geoff Tibballs, Ice Water Press).

Edward Meyer holds a plaster cast of a footprint that may be from a chupacabra.

Accompanying Meyer on his recent tour to Australia was a strange collection of objects, including a two-headed and three-winged crow, the 300-year old mummified head of Jeremy Bentham, a Tibetan skull mask, lint shaped into sushi, Micheal Jackson’s fangs from Thriller, Mark Gruenwald’s incredibly expensive Marvel comic Squadron Supreme, a ceremonial Fijian cannibal fork, 70 million-year-old dinosaur poo and the footprint of a chupacabra—an animal believed to inhabit the Americas and suck the blood of goats. Amusingly, the television series Border Security was on hand to film Meyer unpacking his extraordinary collection for customs at Melbourne Airport.

BOOK REVIEW: The Mask of Destiny: The Billionaire Trilogy Book Three (Richard Newsome, Text)


Posted: 15 November 2011 at 8:34 am

In ‘The Billionaire Trilogy’, Richard Newsome has written an adventure series that has shades of Indiana Jones and a Dan Brown thriller, pitched at a level that is accessible for its younger audience. In this excitement-filled final instalment, our protagonist Gerald Wilkins finds himself smack in the middle of the answer to everything—but unfortunately, this includes a murder charge. When Gerald is framed for the murder of his evil nemesis Mason Green, he is forced to go on the run, along with his trusty sidekicks, twins Sam and Ruby Valentine. The trio needs to find the ruby casket, an unknown treasure, and prove Gerald’s innocence. This leads them on a fast-paced series of adventures through France, the Vatican City and Greece. Meanwhile, Mason Green’s niece Charlotte is striving for world domination. Will Gerald, Sam and Ruby stop Charlotte or will Gerald end up in prison? While the story might follow a predictable formula, the excitement level is high, and is bound to keep children aged 9-12 enthralled.

Anne Copeland is a freelance reviewer and education accounts manager for Dymocks, Collins St in Melbourne. This review first appeared in the August issue of Bookseller+Publisher magazine.

Most mentioned this week


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Posted: 14 November 2011 at 10:48 am

All five books on the most mentioned chart received equal mentions this week. Former Australian Prime Minister Paul Keating has published a volume of speeches and occasional pieces in After Words: The Post-Prime Ministerial Speeches (A&U). An English teacher finds a portal to 1958 and is given the chance to stop the assassination of John F Kennedy in Stephen King’s 11.22.63 (Hodder & Stoughton). Cold Light (Random House) is the third book in Frank Moorhouse’s Edith Campbell Berry Trilogy, set in postwar Australia. The rise and metamorphosis of double-entry bookkeeping is one of history’s best-kept secrets and one of its most important untold tales in Jane Gleeson-White’s Double Entry (A&U). And finally, media personality and foodie Indira Naidoo embarks on a mission to transform her tiny balcony into a bountiful kitchen garden in The Edible Balcony (Lantern)–Media Extra.

BOOK REVIEW: Double Entry (Jane Gleeson-White, A&U)


Posted: 11 November 2011 at 10:26 am

A history of double-entry bookkeeping is not, at first thought, a likely subject for a riveting book. Yet that is what wordsmith Jane Gleeson-White gives us, by crafting a book that may be read two ways. For readers interested in modern accountancy she describes the ancient origins of the profession, its rapid ascendency during the Italian Renaissance and its transformation into the powerful financial management tool we know today. Her view of its future importance is startling and sobering. The more general reader should enjoy her detailed exploration of the life of the ‘father’ of bookkeeping, Renaissance man Luca Pacioli. A multi-talented man, friend and collaborator of Leonardo da Vinci and other luminaries, Pacioli’s crowning achievement was the writing of a 27-page treatise explaining, for the first time, the theory and application of what has become known as double-entry bookkeeping. The merchants of Venice were quick to understand and adopt the method: other mercantile economies began to use it soon after (though some resisted). Gleeson-White gives us a lively account of Pacioli’s eventful life and times, which leavens the more formal aspects of her text. Like Mark Kurlansky’s Cod and Salt, this one should appeal to most readers of single-subject narrative history.

Max Oliver is long-serving, Sydney-based bookseller. This review first appeared in the October issue of  Bookseller+Publisher magazine.

BOOK REVIEW: Women of Letters (Michaela McGuire & Marieke Hardy, Viking)


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Posted: 10 November 2011 at 10:04 am

Women of Letters is a collection of letters penned by well-known Australians, originally performed at a series of events of the same name. Curated by Michaela McGuire and Marieke Hardy, these events began in 2010 as a fundraiser for the Victorian animal shelter Edgar’s Mission. The idea was to celebrate the art of letter writing and showcase local talent by asking prominent Australian women—and some men in a special Men of Letters event—to write a letter on a particular theme. When you read this book you will: laugh out loud at actor Noni Hazlehurst’s letter to her first boss and comedian Fiona Scott-Norman’s letter to her nemesis; wish your 12-yearold- self could have received a letter like the one penned by musician Jen Cloher; come close to tears over the letter former politician Mary Delahunty wishes she had written; and if you are the romantic sort, fall a little in love with entertainer Eddie Perfect, whose letter is written to the woman who changed his life. Readers of all ages will get a glimpse of themselves in this surprising, thoughtful, funny and inspiring book, which deserves to find a place in everyone’s home.

Eloise Keating is a journalist with the Weekly Book Newsletter and Bookseller+Publisher. This review first appeared in the October issue of Bookseller+Publisher magazine.

Bestsellers this week


Posted: 9 November 2011 at 3:14 pm

Scarecrow and the Army of Thieves (Macmillan), Matthew Reilly’s latest novel featuring marine captain Shane Schofield, is at the top of the bestsellers chart for the third week in a row. The Opal Desert (Di Morrissey, Macmillan), a story about three women from different generations with unresolved issues in their lives who meet in the fictitious NSW town of Opal Lake, is second on the bestsellers chart and top of the highest new entries chart (See our Fancy Goods interview with Di Morrissey here). Judy Nunn’s Tiger Men (William Heinemann) has moved to the top of the fastest movers chart followed by Snuff (Doubleday), Terry Pratchett’s 29th Discworld novel–Weekly Book Newsletter.

BOOK REVIEW: Foal’s Bread (Gillian Mears, A&U)


Posted: 9 November 2011 at 9:46 am

It’s been 16 years since Gillian Mears published her last novel, The Grass Sister, which won the regional Commonwealth Prize for best book in 1996. The Mint Lawn won the 1991 Vogel Award and she has also written a number of award-winning short-story collections. Foal’s Bread takes its title from a small object that, on rare occasions, is found in a new foal’s mouth at birth. It looks like bread, hence the name, but nobody really knows what it is. It is thought to be lucky, however. If the horse is a jumper, it will jump high; if it’s a sprinter, it will run fast.

Set in rural NSW prior to WWII, the book opens with 14-year-old Noah and her father droving pigs to a farm. That evening while the men are off drinking, Noah deliverers the baby she barely knew she was carrying, fathered by her now dead uncle. When the infant cries she wishes it had been born dead, saving her the trouble of killing it. But she finds she cannot kill it, and instead sends her baby floating down the river in a box. That image will haunt her.

When Noah meets champion horse-jumper Roley at a country show he is impressed by her riding and jumping skills. He lends her the foal’s bread he carries with him and she jumps even higher. Over several years their relationship develops, until Roley marries Noah and brings her back to the family farm. Her skills at the farm are useful, but not enough to overcome the jealousy that Roley’s mother Minna feels at being displaced in her son’s affections. Two children are born, but after a time Roley’s physical condition begins to decline. As his body deteriorates, so does his relationship with Noah. And when Noah’s daughter Lainey starts jumping higher than she ever did, Noah is jealous—hating herself for it, but unable to help it. Her own life, so ordinary, is a disappointment.

The relationships between the characters in Foal’s Bread are rich and varied, and Mears rarely takes the obvious route as she explores emotions of love, jealousy, frustration and disappointment. Despite their many flaws and foibles, I found it impossible not to feel for each of the characters as they grappled with their problems; even mother-in-law Minna, with her constant sniping and jealousy, remained sympathetic, and this is a testament to Mears’ skill.

Foal’s Bread is a book to be read slowly and savoured. The country setting and language of the time are beautifully captured and the characters are intricately observed. Mears obviously loves horses, and the horsejumping shows, with their smells and sounds, come alive on the page. Mears is up there with Tim Winton and Kate Grenville. Let’s hope her next book isn’t as far off.

Heather Dyer is the owner of Fairfield Books in Melbourne. This review first appeared in the October issue of  Bookseller+Publisher magazine.