About our author: Andrew Wrathall

Andrew Wrathall

Andrew Wrathall is publishing assistant for Bookseller+Publisher. He writes about upcoming books, helps produce newsletters, runs web systems and analyses publishing statistics. Follow @andyroflz on Twitter.

 

 

Posts by Andrew Wrathall:

CBCA winners

Written by:
Posted: 19 August 2011 at 12:30 pm

The winners of this year’s Children’s Book Council of Australia (CBCA) Book of the Year Awards were announced today.

The winners and honour books in each of the categories are:

Older Readers

Winner:

  • The Midnight Zoo (Sonya Hartnett, Viking).

Honour books:

  • Graffiti Moon (Cath Crowley, Pan Macmillan)
  • The Life of a Teenage Body-Snatcher (Doug MacLeod, Penguin).

 

Younger Readers

Winner:

  • The Red Wind (Isobelle Carmody, Viking).

Honour books:

  • Just a Dog (Michael Gerard Bauer, Omnibus)—read the review
  • Violet Mackerel’s Brillant Plot (Anna Branford & Sarah Davis, Walker Books)—read the review.

 

Early Childhood

Winner:

  • Maudie and Bear (Jan Ormerod & Freya Blackwood, Little Hare)—read the review.

Honour books:

  • The Tall Man and the Twelve Babies (Tom Niland Champion, Kilmeny Niland & Deborah Niland, A&U)—read the review
  • Look See, Look at Me! (Leonie Norrington & Dee Huxley, A&U).

 

Picture Book of the Year

Joint winners:

Honour books:

  • Why I Love Australia (Bronwyn Bancroft, Little Hare)—read the review
  • My Uncle’s Donkey (Tohby Riddle, Viking).

 

Eve Pownall Award for Information Books

Winner:

  • The Return of the Word Spy (Ursula Dubosarsky & Tohby Riddle, Viking)—read the review.

Honour books:

  • Drawn from the Heart: A Memoir (Ron Brooks, A&U)
  • Our World: Bardi Jaawi Life at Ardiyooloon (One Arm Point Remote Community School, Magabala Books)

Book buzz: the ones to watch 2011

Written by:
Posted: 27 July 2011 at 3:28 pm

The Australian Booksellers Association held its annual conference in Melbourne during the weekend. The regular Book Buzz session was one of the highlights, showcasing the favourite books by booksellers and publishers coming out in the following months.

Aviva Tuffield from Scribe recommends:

  • Machine Man by Max Barry (Scribe, August) is a techno thriller where a scientist loses a leg in an industrial accident, but it’s not a tragedy, it’s an opportunity to build a better body.
  • House of Sticks by Peggy Frew (Scribe, September) is humane and compassionate book, a portrait of contemporary family life that is great for book clubs.
  • The Third Wave by Alison Thompson (Scribe, September), an inspiring account of an Australian volunteering in Sri Lanka.

Amanda Macky from Dymocks Adelaide recommends:

  • Her Father’s Daughter by Alice Pung (Black Inc., September). Macky says, ‘if you want to know why people want to be refugees in Australia, to come here where it’s safe and peaceful read this book and you’ll understand’.
  • Smut by Alan Bennett (Profile Books), a little demi-hardback featuring two stories. Macky says this book ‘will have appeal to anybody who likes English humour, anybody who’s enjoyed Alan Bennett in the past and anybody who is into vicarious sex and a little surprise’.
  • The Deadly Touch of the Tigress by Ian Hamilton (Sphere, October). Originally sold in Canada as The Water Rat of Wanchai, Macky believes ‘neither title does this book justice’.

Heather Dyer from Fairfield Books recommends:

  • The Language of Flowers by Vanessa Diffenbaugh (Picador, September) is about a woman who communicates with people through the language of flowers and after leaving state care she meets a man.
  • EJ12 Girl Hero series by Susannah McFarlane at LemonFizz Media, who created the Go Girl and Zac Power series at Hardie Grant. McFarlane developed EJ12 because she felt there were no other series around the suited her eight-year-old daughter.
  • Kinglake-350 by Adrian Hyland (Text, August) is a ‘gripping’ true story of Black Saturday.

Ben Ball from Penguin recommends:

  • All That I Am by Anna Funder (Hamish Hamilton, September) is about three people who were involved in the resistance against the rise of Hilter prior to World War II. Ball says ‘you have a treat in store’. Funder will be a the Brisbane Writers Festival.
  • Midnight in Peking by Paul French (Viking, September) is a true crime book set during the last days of old Peking on the eve of  World War II, in the seedy underbelly of the city. The body of the daughter of an ex-British Consul found with innards removed.
  • Tony Robinson’s History of Australia (Viking, November) by Tony Robinson who did a program about Australia on the History Channel.

ABA Conference on Twitter

Written by:
Posted: 20 July 2011 at 1:46 pm

Follow: #ABAconf11

The Australian Booksellers Association (ABA) 87th conference and trade exhibition will run on 24 and 25 July 2011 at the Hilton on the Park in East Melbourne.

If last year’s conference is anything to go by, then expect a lively Twitter debate full of comments, quotes and opinions on the book industry from those inside. Delegates tweeting about the conference, can use the official hashtag: #ABAconf11. And those who are not able to attend will be able to follow #ABAconf11 on Twitter to catch a glimpse of conference debate.

The official program is available on the ABA website and is, of course, printed as part of the August issue of Bookseller+Publisher magazine.

Key speakers include:

  • Jon Page @PnPBookseller, president of the ABA and general manager of Pages & Pages Booksellers in Mosman, NSW, will appear in various sessions throughout the conference and is already tweeting up a storm.
  • Becky Anderson, president of the American Booksellers Association and owner of Anderson’s Bookshop @AndersonsBkshp in Naperville, IL, USA, is a keynote speaker also appearing at sessions throughout the conference.
  • The ABA’s official Twitter account is @OZBooksellers.

Twitter accounts to watch on Sunday 24 July:

  • At the ABA Initiatives session at 12pm, Jon Page @PnPBookseller will talk about IndieBound and Fiona Stager @avidreader4101 (Avid Reader in Brisbane) will launch Bookshop Day.
  • Don’t miss our own Tim Coronel @Tim_Coronel during lunch, who will wish Bookseller+Publisher @BplusPmag a happy 90th birthday.
  • Presenters at the Community Engagement in the Digital Age session at 1.45pm on Sunday include Becky Anderson, Kate Eltham @kate_eltham (of @qldwriters), Pip Lincolne @meetmeatmikes (Meet Me at Mikes in Fitzroy, VIC), and Suzy Wilson @RiverbendBooks (Riverbend Books in Brisbane).
  • Author Andy Griffiths @AndyGBooks will give an update of the Indigenous Literacy Foundation at 2.45pm.
  • First Tuesday Book Club panellist Marieke Hardy @mariekehardy will MC the Celebrating Bookselling Dinner at 7pm with guest speaker Kate Grenville.

Who to follow on Monday 25 July:

Travelling in literary China

Written by:
Posted: 15 April 2011 at 5:02 pm

Publishing assistant Andrew Wrathall attended Australian Writers’ Week in China in March. Here, he gives us a taste of three Chinese literary festivals that hosted Australian authors in 2011.

English speaking literary festivals have sprung up all around China over the past decade. Festival guests this March included many Australian authors, who flew to Beijing, Shanghai and Hong Kong as part of Australian Writers’ Week, coordinated by the Australian Embassy.

Beijing

Perth author Craig Silvey and director of UWA Publishing Terri-ann White in Beijing

‘We really draw on the resources of our community to highlight what an amazing and vibrant city Beijing is,’ said  Bookworm International Literary Festival director Kadi Hughes. The festival runs during March each year within Beijing and two smaller cities, Chengdu and Suzhou.

‘We’ve been running Bookworm International Literary Festival for five years, it’s grown enormously every year. This year we have about 160 events in Beijing,’ said Alex Pearson, managing director of the festival and owner of the Bookworm Bookshop. The festival runs out of the Bookworm, which is part bookshop and part library, with books for sale and books that can be borrowed.

‘We are bigger than we have been in the past, but really sticking to the core beliefs of the festival. So we have book talks, panel discussions, writing workshops, literary eats, performance poetry, a variety of different things, and our program really focuses on a combination of amazing writers and amazing voices from around the world and also from China,’ said Hughes.

At this year’s festival Christos Tsiolkas spoke on a panel with Irish-born author Emma Donoghue on the subject of ‘taboo’; Kate Jennings and Jessica Rudd spoke on the topic of the boy’s club in big business and politics; and Craig Silvey joined Julia Leigh to talk about the Australian outback as a gothic backdrop in their literature.

Australia is one of 19 countries represented by the festival, with authors also attending from Iceland, Hungry, Poland, Wales, Scotland, Belgium and Nigeria. Pearson said she often goes abroad to other international festivals to find an international contingent of writers. The purpose of the festival is to ‘encourage the foreign community in Beijing to enjoy Chinese literature, the foreign community outside China to enjoy Chinese literature, and Chinese community here to enjoy foreign literature,’ said Pearson.

Alex Pearson talks to the festival audience with her translator

‘We have Chinese writers who you may have read in translation, whose work has been established abroad, and hopefully after this festival, more writers who will be translated and read abroad,’ said Hughes.

‘Another important part of our festival is our social enterprise, and every year we’ve been involved in international schools in Beijing, Suzhou and Chengdu, bringing our festival authors to children to share with them our celebration of literature and ideas. And this year we’re very excited to announce we have a migrant school program where a lot of our authors are going to migrant schools where they will share folk tales of their home countries and inspire children to write their own stories,’ said Hughes.

Shanghai

The view from Shanghai restaurant M on the Bund

Shanghai International Literary Festival started nine years ago at Shanghai restaurant M on the Bund. Michelle Garnaut manages the restaurant and is also the festival director.

‘It started by accident,’ said Garnaut, who recounts that a friend in Shanghai said, ‘We have a friend who’s a writer called Frank Moorhouse,’ to which Garnaut replied, ‘Wouldn’t it be fun to do that. Why don’t we get him to fly over and do that?’ Soon after, Australian author Moorhouse held a lecture called ‘the Martini in Literature’ in the restaurant’s Glamour Bar, thereby becoming the first writer of the festival. Other writers were due to attend the festival, but were scared off by the SARS outbreak.

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BOOK REVIEW: ‘Black Glass’ (Meg Mundell, Scribe)

Written by:
Posted: 23 March 2011 at 9:44 am

Black Glass presents a dark urban dystopian future of mass surveillance and government control, filled with corruption and morality gone wrong. It is the story of two sisters, Tally and Grace, who are separated at the start of the book. Grace doesn’t know if Tally is even alive, but Tally is always looking for Grace. They have no ID, so to stay out of jail they must hide in the shadows among derelict buildings, away from the working class, scrounging for whatever food they can and taking whatever jobs come their way. There’s also Damon, a journalist for a current affairs television show, who looks for the juiciest stories while maintaining the government’s status quo. Another character is Milk, who has the ability to control the emotions of a crowd with engineered scents and special lighting. Black Glass contains a mix of writing styles, adding to the big brother style of the book, which flow nicely and are easy to pick up because of the headings. The book is based in a specific city that becomes obvious when reading, and this localisation makes the situation more believable, illustrating that we may onto be a few steps away from a similar world in a decade or two. The tension builds right until the end. This is recommended for Gen-Y readers who like a bit of spec-fiction now and then.

Andrew Wrathall is publishing assistant at Bookseller+Publisher. This review first appeared in the March issue of Bookseller+Publisher.

BOOK REVIEW: ‘Mirror’ (Jeannie Baker, Walker Books)

Written by:
Posted: 16 March 2011 at 11:39 am

In a time when the portrayal of Muslim people by Western media often provokes fear, this book attempts to break the xenophobia by showing children that they don’t need to be afraid of people who are different to them, and that, actually, we are all very much the same. Mirror is a picture book about two boys from different families on different sides of the world—one in Australia and one in Morocco. The design of the book is unique, with two storylines that open from the inside out, the pages bound to the edges of the front and back covers rather than the spine. Both stories depict a loving, caring family, set within a wider community that is both globally distant and culturally different. But even across this vast distance there are connections between the two families and it may take several readings for the little ones to spot them all. A striking feature of this book is Baker’s beautiful illustrations—they are amazing works of art. Her finely crafted collages use real textures to create each scene, adding an extra dimension to the book. Anyone who has ever been to Sydney will instantly recognise the cityscape of Baker’s creation. Once this book is on the shelves, I’m sure booksellers will notice little readers silently mesmerised by the stunning images within. Mirror is a must-have picture book for younger readers.

Andrew Wrathall is publishing assistant at Bookseller+Publisher. This review first appeared in the July 2010 issue of Bookseller+Publisher.

Mirror is the winner of the Best Children’s Book in the 2011 Indie Awards. Jeannie Baker’s artwork used in the book Mirror is currently being exhibited at the Botanic Gardens of Adelaide until 13 May.

AUDIO INTERVIEW: Shaun Micallef on ‘Preincarnate’ (Hardie Grant)

Written by:
Posted: 29 October 2010 at 3:22 pm

Intrepid publishing assistant at Bookseller+Publisher Andrew Wrathall interviewed Shaun Micallef about his book Preincarnate (Hardie Grant) at the Australian Booksellers Association conference in Brisbane in July. As these things are wont to do, the interview soon turned to stetson hats and shopping trolleys… Listen to Andrew’s dulcet tones and Shaun’s ever-amusing answers here:

See Dani Soloman’s interview with Shaun Micallef here.

Cooking brownies with Pamela Clarke

Written by:
Posted: 1 October 2010 at 4:12 pm

Pamela Clarke

Bookseller+Publisher publishing assistant Andrew Wrathall visited the AWW test kitchen and everyone in B+P HQ was lucky enough to taste the results. We approve. Very much. Wrathall reports:

‘This is one of those recipes people worry about’ says Pamela Clarke, food director at the Australian Women’s Weekly (AWW) Test Kitchen. Her cooking students listen eagerly, as they watch the toffee boiling on the stove and wait for the change to a light-brown colour. Clarke tells a story about a cooking demonstration she ran at the Easter show as a junior—distracted by the passing crowd many years ago, she had turned around, then reached back for ingredient, placing her hand directly in the boiling toffee. ‘Ouch!’ exclaim the class.

Recipes are refined and tweaked in the AWW Test Kitchen, then recorded and photographed for around 12 new books each year. Clarke is in charge of the kitchen of 12 staff members, who help to create new recipes every day. After publishing The AWW Cooking School in February, Clarke opened up the Test Kitchen as a cooking school, for anyone wanting a hands-on cooking experience.

'The AWW Cooking School' (Pamela Clarke, ACP Publishing

‘I’m working on three different cake books, a kids cooking class book—a great big one, a pies book, Little Squares and Slices, there are heaps of them, so at any one time I’ve got 12 cookbooks in my head, and sometimes I get very mixed up.’ Clarke laughs, ‘It’s just the way it is.’

Clarke is also working on a preserves book, ‘We had to be concerned about the seasonal produce that comes in, so we’re doing that over a two year period, so we can catch the food at its best as it comes into season, like cherries at Christmas—we can get them from America, but we don’t think they’re as nice as ours, so that sort of thing has to be considered.’

The class moves on to a new recipe—chocolate brownies—which Clarke has used in the forthcoming Little Squares and Slices book. ‘You don’t want to put the heat up too much or the chocolate will burn,’ says Clarke as the chocolate melts with the butter. Students then add the final ingredients to make a dark velvety mix.

Food assistant Sharon Kennedy helps the class make the brownies. ‘Sharon and I played and played with the recipe, ’til we got it right, ’til we got the consistency that we had in our mind. It’s very basic and very easy, but it’s also very yummy—that’s my current favourite recipe,’ says Clarke.

Right: Spicy Fruit & Nut Bark, bottom: Pastaichio Brittle, left: Best-Ever Chocolate Fudge Brownies

The brownies were tested about five times by Clarke and Kennedy. ‘The current record is 11 times. That was for Turkish delight recipe that nearly drove us crazy trying to get it right.’ Recipes are tested a minimum of twice in the kitchen, then the final test is done in photography, where a different person cooks the recipe. ‘I always say to them, “cook that recipe like you have never seen it before, like an average, at-home cook,” that’s why our recipes work, because we really do try to get them right,’ says Clarke.

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MWF celebrates 25 years

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Posted: 17 September 2010 at 11:04 am

A Wordsmith's Dream: David Astle, Kate Burridge, Ursula Dubosarsky, Angela Meyer

Melbourne Writers Festival celebrated its 25th birthday, in a year the organisation moved to a permanent home in the Wheeler Centre and the festival was held in Federation Square for a third time. The number of tickets sold increased by 10% this year for an audience of 50,000 people. Steve Grimwade, CEO and festival director said he thought ‘moving Federation Square was the best thing we ever did, it has opened us to a much larger audience, and gave far more people the chance to come to festival events’.

Keynote speaker Joss Whedon, writer of cult television series Buffy, Angel, Firefly and Dollhouse, addressed a sell-out crowd on the opening night. Chairing the session was academic Sue Turnbull, who began the session by asking, ‘How do it feel to be God?’ after which Whedon indulged in megalomaniac persona in front of an audience of adoring fans.

Stories are hung on the Hoist

‘I think we have achieved what we set out to do—engage with the written word in all possible ways.’  Grimwade said the festival ‘took some risks and extended the program—introduced more free events and opened up the programming to include music and art-based projects’.

Artist and author Shaun Tan appeared on a panel, with author Neil Gaiman—via a video feed from London—and host illustrator Andrea Innocent, presenting to an audience full of school students. The video feed failed during the start of the panel, but resumed later on. The children were restless during Tan’s interview with Innocent, but they became interested with audience participation, when Tan asked what he should draw. The event was a success, as children walked away pleased, even with the technical hiccups.

Shaun Tan, Neil Gaiman, Andrea Innocent

Many of the free events were held in The Feddish Bar, with each event packing out the venue to standing room only. Some interesting sessions at Feddish included one with Chinese author Ma Jian, and another with American author Joe Bageant. The Morning Fix, hosted by Chris Flynn at 10am in the morning, was a popular place to hear from authors with newly released books, such as R J Ellory, Jon Bauer, Benjamin Law, Angela Savage, Kate Howarth and Angelo Loukakis. The crowd also enjoyed David Halliday’s launch of his book The Bloody History of the Croissant (Arcadian) at Feddish.

‘I’d say everything we did this year was an obvious and organic growth in what we’d done in the past,’ said Grimwade. ‘What we did was really an extension to what a festival normally is, and I think we’re testing boundaries in regards to what it was and what it should be. And I think boundaries should be tested.’

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Film Adaptation: Tomorrow, When the War Began

Written by:
Posted: 25 August 2010 at 9:48 am

Stuart Beattie

Tomorrow, When the War Began is such a cherished book that adapting it to a movie was a major challenge for Stuart Beattie, but the producer looks happy and relaxed on stage, confident that he’s created something the kids (and the ones that have grown-up) will enjoy. At a premiere screening after a book signing at the Jam Factory in Melbourne, Beattie and the cast answer questions about the film.

‘John Marsden allowed me to make the movie because he wanted someone who has read the books and saw the books as a fan, rather than someone who just wanted to profit from it,’ says Beattie, one of many film producers to approach author John Marsden about adapting his book Tomorrow, When the War Began. Beattie who previously worked on Pirates of the Caribbean: The Curse of the Black Pearl, has used his skills to make a film quite true to the book, that has an action-packed style comparable to anything coming out of Hollywood, with the warmth and humour of an Australian drama.

Caitlin Stasey and Rachel Hurd-Wood

Ellie Linton, the main protagonist, is played by the outgoing Caitlin Stasey, an actor many teens will recognise from Neighbours. ‘I’m the only one who hasn’t read the books,’ she admits to the friendly taunts of the other cast members. The story focusses on Ellie’s relationships with her friends, specifically her best friend Corrie (played by Rachel Hurd-Wood). When Corrie cries, Ellie is there to comfort her. Corrie has a relationship with Kevin, played by Home and Away actor Lincoln Lewis, but their relationship becomes strained during the course of the movie. An angsty relationship also begins between Ellie and Lee (played by Chris Pang) during the movie.

The film cast sign books in Borders South Yarra, before the screening of 'Tomorrow When the War Began'

The idea of an invasion of Australia is central to the story, but the identity of the invading army was kept secret in the book. Marsden says he didn’t want ‘people to use the books to justify some racist belief they may hold’. The invaders are Asian in appearance, but no particular country of origin is identified. Beattie says, ‘John (Marsden) was very smart in keeping the identity of the invaders vague. With a movie about politics and the motivation behind war you need to know the countries involved. This is really a drama about eight kids, so the country of the invaders is not really important’. Beattie says the logical choice for the invaders was from one of Australia’s neighbouring countries, but he treats the Asian identity as unimportant to the story, and uses the invasion as a device to unleash the drama without looking for underlying motivations of war. As Homer, one of the characters in the film (played by Deniz Akdeniz) says, ‘It doesn’t matter who they are. They’re here now. What difference does a flag make?’

The audience of teenagers at the premiere screening find plenty of laughs in the movie, especially from Homer the prankster. Often humour is also used to deflect bad occurrences during the war. Action scenes are graphic and shocking, but for today’s teens who are immune to screen violence, there’s nothing they can’t handle. The film does show how awkward and fragile the teenagers can be in matters of love and especially when fighting back, where their military strategies are based on luck.

As well as a story of survival, it is about the loss of innocence, epitomised by a scene with Ellie sitting in her cubby house. Ellie finds it hard to come to grips with the death of soldiers and says, ‘At what point do we loose our souls if we haven’t already?’ The character development from the begging to the end of the film shows a real change, because of their experience of the war.

One noticeable difference from the book is that the movie has been updated for the digital age. The movie begins with Ellie talking into a video camera instead of writing out the story in a notebook. When the characters all arrive back in Wirrawee they all check their phones at the same time and find no signal. ‘It was only logical that when they would all have cell phones, when Ellie wanted to talk to Corrie she was Skyping to her rather than sitting in a cafe, and the laptop would still have battery power when she checked the internet,’ says Beattie.

Phoebe Tonkin and Deniz Akdeniz

Some little things have changed in the story, which happens with every adaptation. Beattie says, ‘When we were writing the script, John (Marsden) kept away and that’s probably the best thing he could’ve done. The movie is a different animal than the book, and John knows that.’ The characters are slightly more exaggerated versions of the book characters. Fiona (Phoebe Tonkin) is the rich-girl stereotype, Robyn (Ashleigh Cummings) is the uber-Christian and Chris (Andy Ryan) is a complete stoner (something barely mentioned in the books). There’s also a cameo by Colin Friels, who is excellent as the crazy dentist Dr Clements.

Beattie does include an in-joke when Corrie is reading My Brilliant Career (Miles Franklin). Ellie asks, ‘Good Book?’ Corrie replies, ‘Yeah. Better than the movie.’ Ellie says, ‘Books usually are’.

Tomorrow, When the War Began opens in cinemas nationally on 2 September. Film tie-in editions of the book (Pan Macmillan) are currently available in bookshops. Movie and television sequels will follow if the film is successful.

Read Andrew Wrathall’s article on John Marsden’s response to the movie in the August edition of Bookseller+Publisher magazine.