Archive for the ‘Fancy Goods’ Category

Text Publishing to launch Australian Classics


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Posted: 1 February 2012 at 11:07 am

Text Publishing will launch a series of ‘Australian Classics’ with 30 titles in May. The books, which contain new introductions from various well-known writers, will be priced at $12.95, with 28 of the 30 launch titles to be available as $12.95 ebooks too.

Text publisher Michael Heyward told Bookseller+Publisher ‘we set the price for Text Classics at $12.95 because we want readers to surrender to their impulse to curl up at last with The Women in Black or A Difficult Young Man.’

‘In a world of virtual infinite availability, curatorship is everything in publishing and bookselling. That’s why we are rushing back to the future in which the independent bookstore on the corner will thrive. We all want people we trust to help us make our choices in life, and especially so with books because a huge part of the pleasure of reading is the pleasure of talking about the book afterwards with our friends. Great booksellers all know this and that’s why they take the curatorship of their bookshops so seriously.

A signature series like the Text Classics, in which every book has been handpicked, will allow booksellers to offer their readers something new and something trusted in a collectible edition which is going to be pretty close to the cheapest thing in the bookstore.’

As for the design, Heyward said design director Chong Weng Ho ‘was part of the discussion from the start. ‘We wanted the covers to be like light bulbs in a dark room,’ said Chong. ‘We wanted readers to be cheered up by a good prospect. We wanted to give them art.’

The full list of launch titles is:

  • The Commandant (Jessica Anderson, intro by Carmen Callil)
  • Homesickness (Murray Bail, intro by Peter Conrad)
  • Sydney Bridge Upside Down (David Ballantyne, intro by Kate De Goldi)
  • A Difficult Young Man (Martin Boyd, intro by Sonya Hartnett)
  • The Australian Ugliness (Robin Boyd, intro by Christos Tsiolkas)
  • The Even More Complete Book of Australian Verse (John Clarke, intro by John Clarke)
  • Diary of a Bad Year (JM Coetzee, intro by Peter Goldsworthy)
  • Wake in Fright (Kenneth Cook, intro by Peter Temple)
  • The Dying Trade (Peter Corris, intro by Charles Waterstreet)
  • They’re a Weird Mob (Nino Culotta, intro by Jacinta Tynan)
  • Terra Australis (Matthew Flinders, intro by Tim Flannery)
  • My Brilliant Career (Miles Franklin, intro by Jennifer Byrne)
  • Cosmo Cosmolino (Helen Garner, intro by Ramona Koval)
  • Dark Places (Kate Grenville, intro by Louise Adler)
  • The Watch Tower (Elizabeth Harrower, intro by Joan London)
  • The Mystery of a Hansom Cab (Fergus Hume, intro by Simon Caterson)
  • The Glass Canoe (David Ireland, intro by Nicolas Rothwell)
  • The Jerilderie Letter (Ned Kelly, intro by Alex McDermott)
  • Bring Larks And Heroes (Thomas Keneally, intro by Geordie Williamson)
  • Strine (Afferbeck Lauder, intro by John Clarke)
  • Careful, He Might Hear You (Sumner Locke Elliott, intro by Robyn Nevin)
  • Stiff (Shane Maloney, intro by Lindsay Tanner)
  • The Middle Parts of Fortune (Frederic Manning, intro by Simon Caterson)
  • The Scarecrow (Ronald Hugh Morrieson, intro by Craig Sherborne)
  • The Dig Tree (Sarah Murgatroyd, intro by Geoffrey Blainey)
  • The Plains (Gerald Murnane, intro by Wayne Macauley)
  • The Fortunes of Richard Mahony (Henry Handel Richardson, intro by Peter Craven)
  • The Women in Black (Madeleine St John, intro by Bruce Beresford)
  • An Iron Rose (Peter Temple, intro by Les Carlyon)
  • 1788 (Watkin Tench, intro by Tim Flannery).

BOOK REVIEW: Reframe: How to Solve the World’s Trickiest Problems (Eric Knight, Black Inc.)


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Posted: 31 January 2012 at 11:25 am

Eric Knight writes that instead of focussing on the details of a problem with a metaphorical magnifying glass, readers should step back and reframe the issue in order to see the bigger picture and all the complicated, contributing factors that are often overlooked. Knight’s blend of sociology, politics and economics forms the basis for this Freakonomics-style book. By reframing the issue, Knight attempts to untangle such thorny subjects as climate change scepticism, terrorism, the Global Financial Crisis and American immigration. Battling terrorism, argues Knight, is about much more than killing terrorists; it requires a strategy of counterinsurgency tactics to shift local alliances away from terrorists. Knight has worked as a lawyer and studied climate change at Oxford. His political ideology could be described as centrist, but he writes without bias in this well-researched book. Reframe seeks to educate readers by offering a broader understanding of the world and its seemingly irrational people. While Knight is an Australian writer, his book focuses on global rather than specifically Australian problems, but these can be used as a template for local issues. Reframe is written in a positive, fresh voice that is accessible to a wide audience, including those new to politics.

Andrew Wrathall is publishing assistant for Bookseller+Publisher. This review first appeared in the Summer issue of Bookseller+Publisher magazine.

Craig Cliff on ‘the trans-Tasman literary gulf’ and how to bridge it


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Posted: 18 January 2012 at 9:57 am

In Melbourne, author Eleanor Catton and I appeared in a session called ‘New New Zealand Fiction’. If the session’s blurb in the program is anything to go by, the festival organisers envisioned us talking about our own work and its relationship to broader national themes. I don’t think they expected us to be grilled by the chair, expatriate Kiwi Sue Green, about why most New Zealand books ‘just aren’t any good’ (I did my best to disabuse her of this notion) and why Australians don’t read New Zealand writers and vice versa.

I left that session feeling as if I’d never got out of first gear. This isn’t to say there should not be discussions on either side of the Tasman about the lack of dialogue between our literatures, but that writers (however meagre their credentials) are best placed to come up with answers to broad questions when alone at their computers rather than on the fly and in front of an audience.

So what do I think about the trans-Tasman literary gulf now, secreted in my home office with several weeks to write this?

More can certainly be done to get us reading our neighbours. The internet is a woefully under-utilised tool in this regard. An Australasian version of the writing community Zoetrope.com would be a start (perhaps Peter Jackson could play the role of Francis Ford Coppola?). And  what about a trans-Tasman epublishing house that specialises in picking up all the zany manuscripts from MA and MFA students that over-cautious, overhead-burdened mainstream publishers shrink from taking on?

I also think the time has come to reconsider an overtly trans-Tasman literary journal, either in print or online, one with some real intellectual chops. Or perhaps expand the Best Australian series (Essays, Stories, Poems) to Best Australasian–though it may be easier to do a Dave Eggers and start a Best Australasians Non Required Reading.

Literature festivals can certainly play a bigger part, too. In Sydney this year, the only New Zealanders I noticed on the program were Bernard Beckett, the Goodbye Sarajevo sisters and me (and I was only there because if the Commonwealth Writers Prize). More New Zealand writers taking part in Australian festivals (preferably not cordoned off in a ‘New Zealand only’ section), and more Aussies coming here would be great. It’s great to see Kim Scott and Kate Grenville are coming to the Wellington Writers and Readers Week in March, but it’d be nice if you didn’t need to win a Miles Franklin to get an invitation. A few years of free events featuring new mid-list Australian authors (hopefully with some financial help from their Council for the Arts) should kick-start more trans-Tasman conversation and collaboration.

This article is excerpted from ‘The Festival Lowdown’ in the December/January issue of The New Zealand Author. Craig Cliff is the author of A Melting Man (Random House) and winner of the 2011 Commonwealth Writers’ Prize for Best First Book. He will be a guest of the Perth Writers Festival in February. For more from Cliff, visit his website or blog.

 

 

Picador relaunches its ‘greatest novels’


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Posted: 17 January 2012 at 10:15 am

To celebrate its 40th anniversary, Pan Macmillan imprint Picador is re-issuing 12 of its ‘greatest novels’ in March.

This one-off list, which is being spearheaded by Picador UK, draws on prize-winning and bestselling authors from 40 years of publishing, including Bret Easton Ellis, Cormac McCarthy, Alice Sebold, Helen Fielding, Graham Swift, Alan Hollinghurst and Australia’s Tim Winton.

‘It’s an incredible list,’ says Picador Australia publisher Alex Craig. ‘Man Booker Prize winners (Last Orders, The Sea, The Line of Beauty), cultural game changers (American Psycho, Bridget Jones’s Diary), classics (All the Pretty Horses) and bestsellers (The Lovely Bones, Room).’

In Australia, the list includes three local titles—Tim Winton’s Dirt Music (which is part of the UK-selected top 12), Kim Scott’s That Deadman Dance and Carrie Tiffany’s Everyman’s Rules for Scientific Living. These hand-picked titles have been chosen to reflect ‘the spirit of the anniversary—representing the past, the present and the future of the imprint’, says Craig. ‘All three novels engage with Australian themes and concerns deeply rooted in our landscape, history and psyche. All are stunning novelists at the forefront of Australian literature.’

As with any new series, the design is crucial. Picador has chosen black-and-white jackets as a nod to the ‘distinctive white spines and black type’ of Picador’s early paperbacks. Each title includes extra content such as reading-group notes, interviews and articles from the authors (all published around the time the novels were released), and is priced between $19.99 and $22.99.

For more information on the series go here.

National Year of Reading 2012


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Posted: 6 January 2012 at 9:30 am

The National Year of Reading 2012 (NYR2012) initiative will be officially launched on 14 February. The year-long campaign is about teaching children to read, helping readers rediscover the joys of reading, and creating a national reading culture.

The initiative was founded by various libraries and library associations, and brings together government, media, and the bookselling and publishing communities as well as community groups, with more than 100 organisations signed on as partners. Funding partners include the federal Office for the Arts, the federal Department of Education, Employment and Workplace Relations, the Copyright Agency Limited, the Australia Council for the Arts and the Sidney Myer Fund. Dymocks, Walker Books, Scholastic, Creative Kids Tales and Disney are also official partners.

Author and actor William McInnes is the NYR2012 patron, and is joined by 18 national ambassadors. State and territory ambassadors have so far been announced for New South Wales, Queensland, South Australia, the Australian Capital Territory, Western Australia and the Northern Territory, with more expected to be announced soon.  A complete list of ambassadors can be seen here.

So how can you get involved?

Our Story

NYR2012 is searching for eight books that represent Australia – one from each state and territory. You can vote on shortlists for each state and territory at your local library or bookshop, or by visiting the ABC website here. But be quick – voting closes on 6 January. The winning books will be announced on 14 February.

The Reading Hour

The Reading Hour will take place on Saturday 25 August 2012 between 6-7pm, and is designed to promote the idea that everyone can benefit from reading for at least an hour a week. Special events will be held in bookshops, libraries and schools to mark the occasion and the Disney Channel will run a dedicated NYR2012 program. More information about the event will be announced on 14 February.

Are We There Yet?

Starting in the Northern Territory in February, primary school children will be able to enter a competition by creating postcards, letters, drawings and photos about their home town or a special place they have visited in Australia. The competition is based on Alison Lester’s book Are We There Yet? (Viking).

Creative Reading Prize

Teenagers can get involved by participating in the National Year of Reading Creative Prize, an extension of the Creative Reading Prize run by the Centre for Youth Literature at the State Library of Victoria. Participants nominate one book they think their peers should read in 2012 and then provide an argument about why the book should be read in the form of a creative response. Visit Inside A Dog to see how the competition has been run in previous years.

As well as these new projects, NYR2012 will also be showcasing existing projects and organisations that promote reading and literacy across Australia, including the Indigenous Literacy Foundation, the Australian Literacy & Numeracy Foundation, and the Smith Family. For more ways to get involved, visit www.love2read.org.au.

Most mentioned this week


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Posted: 19 December 2011 at 2:39 pm

The death of political writer and renowned athiest Christopher Hitchens received considerable media coverage over the weekend, with two of Hitchens’ books–his memoir Hitch-22 (A&U) and a collection of his most controversial writings, Arguably (A&U)–appearing in this week’s most mentioned chart. Also receiving several mentions were Michael Lewis’ analysis of Europe’s credit crisis, Boomerang: The Meltdown Tour (Penguin), Jennifer Egan’s A Visit from the Goon Squad (Corsair) and Walter Isaacson’s Steve Jobs (Little, Brown)–Media Extra.

Most mentioned this week


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Posted: 12 December 2011 at 2:39 pm

As the year draws to a close, publications are looking back at 2011 and compiling lists of the best books of the year. For a round up of the ‘best of 2011′ lists see Fancy Goods. Appearing on these lists are this week’s most mentioned books, with Chad Harbach’s novel The Art of Fielding (Fourth Estate) at the top of the most mentioned chart. Set at Westish College, a small school on the shore of Lake Michigan, baseball star Henry Skrimshander seems destined for big league stardom, but when a routine throw goes disastrously off course, the fates of five people are affected. Also appearing on the most mentioned chart this week are Alex Miller’s Autumn Laing (A&U), Haruki Murakami’s 1Q84 (Harvill Secker), Jessica Rudd’s Ruby Blues (Text) and Jennifer Egan’s A Visit from the Goon Squad (Corsair)–Media Extra.

Best books of 2011


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Posted: 7 December 2011 at 12:59 pm

Tis the season for ‘best of’ lists, and whether you get your tips from the New York Times, Goodreads or local booksellers/tastemakers such as Jon Page and David Gaunt, this year there are plenty to choose from.

From the local booksellers:

The good folk at Readings have devised multiple ‘best of’ lists, including the intriguingly titled ‘best overlooked books of 2011’, as well as the ‘bestselling ebooks of 2011‘; Pages & Pages’ has compiled its best books of 2011 (owner Jon Page has also nominated his top five reads for 2011 – if you follow him on Twitter these should be self-evident); Gleebooks’ David Gaunt has shared his favourite titles of the past year; Oscar & Friends has announced its staff picks for 2011; several Shearer’s booksellers have blogged about their top picks; and The Women’s Bookshop in New Zealand has compiled its favourite titles for 2011.

From the overseas booksellers:

Barnes and Noble has named its best books for 2011, including a category for ‘quirky, beautiful, different’ titles.

From the media:

The New York Times has released its annual ‘100 notable books’ and ‘10 best books’ lists; Flavourwire has compiled a list of ‘the most criminally overlooked books of 2011′; and there are more ‘best of’ lists from the Guardian, Washington Post, Publishers Weekly, Salon, NPR and Kirkus Reviews. In local media, the SMH/Age has asked a selection of writers to name their favourite reads of the past year; as has the New Zealand Listener. The Australian has released its Books of the Year over five pages starting here (paywall). The Huffington Post compiled a list of the best food books of 2011 as did the blog Brain Pickings.

From social media:

The winners of the 2011 Goodreads Choice Awards have also been announced, with over 600,000 votes cast.

Bestsellers this week


Posted: 30 November 2011 at 3:27 pm

The Heffley family is trapped indoors during a blizzard but when the snow melts, 13-year-old Greg is going to have to face the music after an incident at school. Cabin Fever: Diary of a Wimpy Kid (Jeff Kinney, Puffin) is the sixth book in the ‘Wimpy Kid’ series and is top of the bestsellers chart this week. Down a spot from last week are Inheritance (Christopher Paolini, Doubleday) in second place, and The Opal Desert (Di Morrissey, Macmillan) in third on the bestsellers chart. The paperback (Puffin) and hardback (Viking) versions of Jeff Kinney’s Cabin Fever: Diary of a Wimpy Kid are in first and second place respectively on the highest new entries chart. Topping the fastest movers chart this week is Eamonn Duff’s book on the Schapelle Corby case, Sins of the Father (A&U), followed by Donna Hay’s cookbook Simple Dinners (HarperCollins)–Weekly Book Newsletter.

A Factory of Stories


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Posted: 30 November 2011 at 2:07 pm

In May this year, the Sydney Story Factory was officially launched. The factory is a not-for-profit centre designed to help children and young adults, especially those from disadvantaged backgrounds, with writing.

The centre is getting ready to open its writing centre and shop—the Martian Embassy—in Redfern in 2012. Pilot programs are being held in local schools in this area, and this week the factory is holding an art exhibition and auction called Judge a book, buy its cover.

The exhibition showcases work by local artists who have recreated the covers of books selected from a list of Sydney’s 50 favourite books (as voted by readers of the Sydney Morning Herald). There’s 25 new book covers: from classics such as Charlotte Bronte’s Jane Eyre and George Orwell’s Nineteen Eighty-Four, to contemporary favourites like Tim Winton’s Dirt Music and Cormac McCarthy’s The Road. To see the artworks, click here. To see the complete list of 50 books, click here.

The Sydney Story Factory was founded by Sydney Morning Herald journalists Catherine Keenan and Tim Dick, and is inspired by similar projects in the United States. A number of Australian writers support the centre, including Geraldine Brooks, Markus Zusak, Peter FitzSimons, Anna Funder, Leigh Sales, James Bradley, Tom Keneally, Malcolm Knox, Gail Jones, Mardi McConnochie, Debra Adelaide and Michael Robothom.

To find out more about the Sydney Story Factory, visit www.sydneystoryfactory.org.au.