|Nightingale (Fiona McIntosh, Michael Joseph, November), 3 stars, reviewed by Joanne Shiells|
|Nightingale (Fiona McIntosh, Michael Joseph, November), 3 stars, reviewed by Joanne Shiells|
|Australia on Horseback (Cameron Forbes, Macmillan, November), 3 stars, reviewed by Dave Martus|
|Bibliodiversity (Susan Hawthorne, Spinifex Press, November), 3 stars, reviewed by Nathan Hollier|
|Kerry Stokes (Andrew Rule, HarperCollins, November), 3.5 stars, reviewed by Chris Saliba
|Peacemongers (Barry Hill, UQP, November), 5 stars, reviewed by Chris Harrington|
|Something Quite Peculiar (Steve Kilbey, Hardie Grant, November), 3.5 stars, reviewed by Gerard Elson|
» Picture books
|On a Small Island (Kyle Hughes-Odgers, Fremantle Press, October), 4.5 stars, reviewed by Sarah Coull|
|The Wild One (Sonya Hartnett, Viking, October), 4 stars, reviewed by Natalie Crawford|
» Young readers
|The Cleo Stories: The Necklace and the Present (Libby Gleeson, illus by Freya Blackwood, A&U, October), 4 stars, reviewed by Natalie Crawford|
» Young adult
|Clariel (Garth Nix, A&U, October), 5 stars, reviewed by Holly Harper|
|Cooper Bartholomew is Dead (Rebecca James, A&U, October), 4 stars, reviewed by Bec Kavanagh|
|Nona & Me (Clare Atkins, Black Inc., October), 4 stars, reviewed by Meg Whelan|
|State of Grace (Hilary Badger, Hardie Grant Egmont, October), 4 stars, reviewed by Heath Graham|
|Acute Misfortune: The Life and Death of Adam Cullen (Erik Jensen, Black Inc., October), 4.5 stars, reviewed by Gerard Elson|
|A Bone of Fact (David Walsh, Pan Macmillan, October), 4 stars, reviewed by Veronica Sullivan|
|Dress, Memory: A Memoir of my Twenties in Dresses (Lorelei Vashti, A&U, September), 3.5 stars, reviewed by Portia Lindsay|
|Talking Smack: Honest Conversations about Drugs (Andrew McMillen, UQP, September), 3.5 stars, reviewed by Paula Grunseit|
|This House of Grief (Helen Garner, Text, September), 4.5 stars, reviewed by Matthia Dempsey|
|The Brewer’s Tale (Karen Brooks, Harlequin, October), 4 stars, reviewed by Kat Mayo|
|Dreamer’s Pool: Blackthorn and Grim 1 (Juliet Marillier, Pan Macmillan, October), 4.5 stars, reviewed by Jarrah Moore|
|Heat and Light (Ellen Van Neerven, UQP, September), 3.5 stars, reviewed by David Gaunt|
|Killing Adonis (J M Donellan, Pantera Press, October), 4 stars, reviewed by Deb Crabtree|
|The Rosie Effect (Graeme Simsion, Text, October), 4 stars, reviewed by Louise Fay|
|The Snow Kimono (Mark Henshaw, Text, September), 3.5 stars, reviewed by Brad Jefferies|
|Window Gods (Sally Morrison, Hardie Grant, October), 3 stars, reviewed by Sonia Nair|
Australia’s longest-ever political campaign will reach its climax this year, although the 14 September poll date is no longer certain. It has led to a publishing bonanza in Australian political books. There are new titles that focus on the woes of the Labor Party and books by Labor MPs about how to fix it, a couple of interesting books look at the failures of modern political life generally, and lastly, there’s Clive. Dave Martus, manager of Dymocks Neutral Bay in Sydney, takes a look at what’s on offer in the coming months.
Aaron Patrick’s (melo)dramatically titled Downfall: How the Labor Party Ripped Itself Apart (ABC Books), which was fast-tracked to publication in June, lays bare the self-destructive path of the ALP that led from the huge victory in 2007 to potential electoral devastation in 2013. The Stalking of Julia Gillard: How the Media and Team Rudd Contrived to Bring Down the Prime Minister by Kerry-Anne Walsh (A&U) has also been fast-tracked and will be released in July. Walsh, herself a journalist, details a central event in Labor’s implosion, pointing the finger at the press and a faction of faceless men.
David Marr’s Rudd v. Abbott (Black Inc., July) combines Marr’s ‘Quarterly Essays’ on Rudd and Abbott, Power Trip and Political Animal.
Former minister Chris Bowen used his time on the back bench to write Hearts and Minds: A Blueprint for Modern Labor (MUP, July) in which he outlines how the ALP might reform itself and win back its traditional support. Fellow former minister and Rudd supporter Kim Carr offers his ideas for revitalizing the ALP in A Letter to Generation Next: Why Labor (MUP, August), although presumably he doesn’t think it will take a generation.
Geoff Aigner and Liz Skelton ponder why Australians have such a problem with leadership in The Australian Leadership Paradox (A&U, August); Jim Chalmers examines why Australians have so little faith in politics and government in Glory Daze: How a World-Beating Nation got so Down on Itself (MUP, July); and Richard King’s On Offence: the Politics of Indignation (Scribe, September) is sure to spark debate as he takes aim at political correctness.
For some light relief Scribe is publishing Dirt Files: A Decade of Best Australian Political Cartoons (Scribe, July). And love him or hate him, it’s impossible to ignore Clive Palmer. Now that Clive has a national political party, Sean Parnell’s Clive: The Story of Clive Palmer (HarperCollins, September) won’t just sell in Queensland.
Not to be left out, there are revised editions of Tony Abbott’s Battlelines (MUP), James Button’s Speechless (MUP, August), Laura Tingle’s Great Expectations (Black Inc., August) and David Marr’s Panic (Black Inc., August).
There is also likely to be renewed interests in previously published titles about the election’s key players. The Rise of the Ruddbot by Annabel Crabb (Black Inc.), about Kevin Rudd’s initial rise to power, was published in 2010 before Julia Gillard took over as PM. Also likely to be revisited is Political Animal: The Making of Tony Abbott by David Marr (Black Inc., October 2012), which explores Tony Abbott’s formative years.
The March issue features books due for publication in March, April and May. Here are some of the books that found favour with our reviewers this time around:
The Sparrows of Edward Street (Elizabeth Stead, UQP, March)
‘Elizabeth Stead takes readers into the grinding world of a NSW housing commission camp for the homeless in the mid-20th century,’ writes reviewer Chris Harrington of Books in Print in Melbourne. The story follows the Sparrow family, fallen on hard times, and the efforts of the eldest daughter Aria, a ‘”bottom-of-the-ladder’ photographic model’, to pull them through. ‘The Sparrows of Edward Street is a wonderful novel about family relationships, about overcoming hardship and the strengths that people can gain by pulling together to beat the odds,’ Harrington writes.
The Book of Rachael (Leslie Cannold, Text, April)
The Book of Rachael tells the story of Jesus’ younger sister, who is ‘ambitious, passionate and unconstrained by her upbringing’, and who ‘falls in love with Judah of Iscariot, Joseph’s best friend and the man who will change their lives forever’. ‘Public commentator and nonfiction author Leslie Cannold had chosen an ambitious topic for her first foray into the world of fiction,’ writes reviewer Eloise Keating. She ‘extends this story in an expert manner, showing the reader the reality of the women in Jesus’ life through engaging and fast-paced prose’.
Little People (Jane Sullivan, Scribe, April)
This ‘quirky novel’ by literary journalist Jane Sullivan is ‘inspired by the real-life tour of a troupe of “little people” to Australia in1870,’ writes reviewer Paul Landymore. When Mary Ann rescues’charismatic entertainer’ General Tom Thumb from drowning in the Yarrariver, she is invited to join his troupe of travelling entertainersincluding ‘the beautiful and perfectly formed Lavinia; her restless and wilful sister Minnie; and rival for lead Commodore George WashingtonNutt’, who ‘inhabit a world of barely restrained, savage curiosity’.’This is a most enjoyable read,’ writes Landymore.
Ashes in the Air (Ali Alizadeh, UQP, March)
‘What do we want from a book of poetry?’ asks reviewer Angela Meyer. ‘We want each poem to paint a picture, to shake us up a little, and to ultimately reach down inside us and peel something back. Ali Alizadeh’s poems doall of these things.’ She continues: ‘Alizadeh explores his own internal conflict of straddling two worlds and never completely feeling hebelongs—in Iran or Australia, or in the places he has visited.’The collection is ‘personal (deeply so) but political, social,philosophical and definitely meaningful’ and ‘makes a perfect companionto Alizadeh’s wonderful biography/history Iran: My Grandfather (Transit Lounge).’
Mezza Italiana (Zoe Boccabella, ABC Books, April)
Brisbane-born Anglo-Italian Zoe Boccabella grew up in ‘Joh’s’ Queensland in the 1970s and 1980s’ where ‘Italian food and culture were openly derided’, soit wasn’t until Boccabella was in her 20s and travelling around Europethat she made an effort to connect with her Italian heritage, visitingher family’s home village of Fossa in the Abruzzo region. ‘What followsare wonderful descriptions of relatives and other villagers, thecountryside and the food—the Abruzzo produces more superb cooks than any other part of Italy,’ writes reviewer Chris Harrington. ‘This is abeautifully written memoir full of characters and places, which willappeal to the literary traveller, to people who already love Italy and to all those intending to visit.’
The March issue has our first Junior supplement for the year too.
If you want to know more about forthcoming titles, sign up for our fortnightly Bookseller+Publisher Newsletter here.
In the November issue of Bookseller+Publisher magazine Avid Reader’s Paul Landymore was mightily impressed with Brendan Cowell’s How It Feels (Picador, November), a debut novel that opens in Cronulla in the early ’90s and follows central character Neil as he decides to study theatre in Bathurst. ‘Given that Cowell is a well-known actor (who also grew up in Cronulla and studied theatre in Bathurst), it would be natural to look for the autobiography in this story, but the characters are strong enough to tell their own stories,’ writes Landymore. ‘The characters are well defined and the connections between them true, difficult and sometimes inexplicable—so like life itself.’
Also in fiction, Kimberley Allsopp predicts Kate Morton’s fans will not be disappointed by The Distant Hours (A&U, November)—’an engrossing tale full of secrets waiting to be told’. Likewise, those who enjoyed Death Most Definite, the first in Trent Jamieson’s ‘Deathworks’ series will enjoy his follow-up Managing Death (Orbit, December), with Coaldrakes’ Chris McDonough writing that it ‘really picks up the pace’ from its predecessor.
In nonfiction, Max Oliver admires Street Fight in Naples (A&U, October), Peter Robb’s history of a ‘great and terrible city’ with a focus on the 16th and 17th centuries. ‘Don’t expect an easy read: do expect to be informed, entertained and transported to a particularly resilient people and place,’ says Oliver.
Landymore also reviewed Chris Bray’s The 1000 Hour Day for us (Pier 9, November). One-time ‘Young Adventurer of the Year’ Bray and a friend embarked on a 1000km walk across Victoria Island in the Canadian Arctic—’a feat the locals cheerfully tell them on arrival will result in their deaths,’ Landymore explains. ‘If you like tales of derring-do in the company of charming, enthusiastic companions, then this book is for you,’ he writes. Continue reading
Maudie and Bear is one of the most exciting collaborations for 2010 between two beloved Australian author/illustrators. Freya Blackwood has gone from strength to strength over the past few years, and her whimsical illustrations are the perfect complement for this beautiful picture book, which will sit alongside great works by Shaun Tan and Alison Lester as examples of great picture books for older readers. Readers young and old will love Maudie, whose demanding but endearing voice will ring true to anyone who has known a young child. Bear is the ideal stand-in for the older parent, sibling or friend, who is there for every demand, will cater to every whim, and most importantly, will always be there for Maudie. The unusual chapter format of this book will give readers who are making the transition from picture to chapter books the opportunity to progress with their reading, while still enjoying the comfort of illustrations, and the safe picture book format. Maudie and Bear has the look and feel of a classic. I have no doubt that this will be gracing our bookshelves for years to come.
Monica McInerney spent six months researching stage fright, Irish surf schools and much more for her latest novel, she tells Rachel Wilson.
At Home with the Templetons, like all your novels, deals with family dynamics. What particular dynamics were you trying to explore in this novel and how do they differ from your previous books?
Families of all shapes and sizes fascinate me, but in my previous books the story focused on one family each time. What I wanted to do with this novel was bring two very different families—the seven unruly Templetons and the smaller unit of Nina Donovan and her son Tom—into each other’s orbit, with good and bad consequences. I also wanted to touch on issues such as jealousy in its many and damaging forms, the lasting impact of grief, the different aspects of motherhood and marriage, sibling rivalry and sibling loyalty, contrasting parenting styles, family secrets and lies, all against a background as rich in comedy and drama as possible.
It’s been three years since your last novel and I have read that you undertake extensive research before completing each one. Could you describe how you prepared for this book?
The starting point was visiting as many stately homes in Australia, Ireland and the UK as I could to help make my fictional Templeton Hall as authentic as possible. As the writing unfolded, I researched the antiques trade; homeschooling; the Australian gold rush of the 1850s; architecture, interior design and clothing from that time; Captain Cook; stage fright; selective mutism; alternative therapies; the nanny industry; life as a freelance illustrator and painter; cricket; Irish surf schools; alcoholism and the rehab industry; spinal injuries; yabbying; and children’s television (though my own time working on the Here’s Humphrey children’s TV program in the 1980s helped there). I used the internet or read books or watched films on many of the different subjects but the best source of detail for me was talking to people who had first-hand experience of what I was writing about. It’s those fragments of fact that add the real colour to the story, I always hope. I also visited (or had previously visited) nearly every location mentioned in the book— Castlemaine and the Victorian gold fields, London (including Lord’s Cricket Ground), Melbourne, San Francisco, Chicago and Woodstock, Illinois, Auckland, Whitby in Yorkshire, the Isle of Skye, Edinburgh, Liverpool, Italy, France, Sligo in Ireland …
Could you describe your approach to writing and your working regimen?
I spend about six months plotting in my head before I sit at the computer and start writing. There’s usually an overlap between my books. I had the idea for At Home with the Templetons about three months before I finished Those Faraday Girls. Similarly, I had the idea for what will be my next book halfway through the Templetons. I aim for 2000 words a day minimum in the early stages of writing, getting very attached to the word-count button. A day always comes when the word count is irrelevant, when all I want to do is be at the desk writing. The final six months are usually seven days a week. I edit as I write, and also show the manuscript to two people in the early stages, my husband, who is a journalist, and my younger sister, who is an editor. I completely trust their feedback, and their encouragement keeps me on track until the manuscript is as polished as I can make it before sending it to my publishers. I also love deadlines. They terrify me into finishing. Continue reading
Which books got good reviews in the October issue of Bookseller+Publisher you ask?
The proof copy of Caroline Overington’s novel I Came to Say Goodbye came covered in glowing quotes from Random House staff who’ve read the book and our reviewer Scott Whitmont has joined the chorus. He calls the novel ‘a gripping blockbuster that booksellers can recommend unreservedly’ and predicts Overington’s following ‘is destined to grow in leaps and bounds’.
Toni Whitmont was impressed with That Deadman Dance by Miles Franklin winner Kim Scott (Picador, October), suggesting it will ‘surely attract consideration for a raft of major prizes’. ‘While the story is compelling,’ writes Whitmont, ‘what makes this an extraordinary book is the writing. Scott’s prose shimmers.’
Andrew Wilkins was equally taken with a collection of work by the late Dorothy Porter. Love Poems (Black Inc., October) ‘brings together poems and song lyrics from across Porter’s career, gathered into sections that suggest love in its various phases’ and is ‘simply an essential collection of Australian poetry,’ says Wilkins.
Other eagerly awaited books being reviewed in this issue include Tim Flannery’s Here On Earth (Text, October), which Eliza Metcalf says is ‘an important read’. ‘Flannery traces our species’ evolution and expansion out of Africa and across the globe, noting the trail of destruction we left in our wake,’ she writes. ‘The picture he paints is a fairly devastating one, but also quite awe-inspiring.’
Paul Landymore assures readers that When Colts Ran, the new novel by Roger McDonald (Vintage, November), lives up to expectations raised by the author’s Miles Franklin win in 2006. ‘If you’re a fan of Australian literature then I’m sure you will find this book, as I did, a deeply satisfying read,’ writes Landymore.
Deborah Crabtree, our regular music book columnist, was taken with Paul Kelly’s How to Make Gravy (Hamish Hamilton, October), a book that grew out of series of performances Kelly put on in 2004. ‘Part memoir, part tour diary, part song-writing manual, this sprawling book is filled with all manner of letters, lists, confessions, hymns and yarns,’ writes Crabtree, adding that the book gives Kelly ‘space to explore his storytelling skills further, which he does admirably, weaving in and out of the past and present easily and with an intimacy that invites the reader into his world’.
And that’s not to mention Lloyd Jones’ Hand Me Down World (Text, October), Kate Holden’s The Romantic (Text, October), Things Bogans Like (E C McSween et al, Hachette, November), Toni Jordan’s Fall Girl (Text, October), and many, many more…
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