Archive for the ‘Forthcoming books’ Category

Learning to balance: Nicholas Carr’s ‘The Shallows’ (Atlantic)


Written by:
Posted: 9 July 2010 at 4:35 pm

Nicholas Carr lays out his non-Luddite credentials early on in The Shallows—his critical look at ‘how the internet is changing the way we think, read and remember’ (Atlantic, August). In the first chapter, ‘Hal and Me’, he tells us that in 1986 he spent nearly all his savings on one of the earliest Macs, which he used to lug between home and work, and he has since followed the enthusiast’s trajectory right through from that machine’s ‘HyperCard’ program—an early hypertext system—to the heady mix of social networking that is today’s online world.

This introduction is calculated to head off easy criticism by those who would claim Carr is critical of our internet use because he either doesn’t’ get it or doesn’t like it. Clearly, neither is true.

Instead, Carr acknowledges the appeal and myriad opportunities the internet presents, while also wishing to examine the way the medium is changing us. Not surprisingly, Marshall McLuhan’s famous maxim ‘the medium is the message’, is central to Carr’s thesis that the advent of the internet represents a wholesale change in the way we think.

To make his point, Carr takes us through a history of our communication. When writing developed in our previously oral culture, he points out, it was some time before we developed the inclination or ability to read quietly to ourselves (instead of simply using the words on the page as a tool for oration). When we did develop this skill—and when the invention of the Gutenberg press meant this option was available to many more in society—the activity changed our minds.

‘For most of history, the normal path of human thought was anything but linear,’ writes Carr. Evolution had taught us to be alert to movement, open to distraction. ‘To read a book was to practice an unnatural process of thought, one that demanded sustained, unbroken attention to a single, static object. It required readers to place themselves at what T S Eliot, in Four Quartets, would call “the still point of the turning world”.’

Such reading encouraged deep thinking, says Carr. ‘In the quiet spaces opened up by the prolonged, undistracted reading of a book, people made their own associations, drew their own inferences and analogies, fostered their own ideas. They thought deeply as they read deeply.’

The internet, with its proven ability to ‘distract’ us (Carr cites studies that point to the disruptive effect on comprehension of the mere existence in a text of hyperlinks), proves a direct threat to this deep, ‘unnatural’ way of thinking—to the Gutenberg way of thinking. At heart, The Shallows is a love song to the book and (another) warning that we are soon to lose not only the book as we know it, but the way of thinking it ushered in. ‘Like our forebears during the later years of the Middle Ages, we find ourselves today between two technological worlds,’ writes Carr. ‘After 550 years, the printing press and its products are being pushed from the center of our intellectual life to its edges.’

To those in the book industry, this sounds a familiar alarm, and Carr’s overview of Google’s Book Search, the Kindle and other ereaders, as well as his imagined future of the book, will be of interest. But to many, the response may well be ‘so what?’ What is so dire about this change? (more…)

All liquored up …


Written by:
Posted: 6 July 2010 at 1:42 pm

No, not us, our cover. The new issue (August) has landed and the cover is a celebration of, well, ouzo, but also Food from Many Greek Kitchens, the new book coming from the one and only Tessa Kiros in October (Murdoch Books).

The new mag has plenty else to recommend it: news, author Q+As with Kimberley Freeman, L A Larkin and Charlie Pickering, a round-up of Father’s Day titles to look out for come September and, of course, all our reviews.

This time around the titles reviewed include some November releases, among them Preincarnate by Shaun Micallef (Hardie Grant), which reviewer Dani Soloman has awarded five stars. ‘This book sees Shaun Micallef swing a sledgehammer through the fourth wall of literature in order to take his readers on an impossible journey through time,’ writes Soloman. ‘Micallef has managed to transfer his irreverent sense of humour onto the page beautifully, producing a book that is as interesting, clever, funny, distinguished and as good-looking as the Silver Fox himself.’

Also among our reviewers top picks this time around were Bereft by Chris Womersley (Scribe, September), which, Angela Meyer writes, is ‘a rich, gripping tale of love, loss, conflict and salvation’ (‘I had that very rare experience of wanting to read it again, almost immediately,’ she says); YA novel The Innocents by Nette Hilton (Woolshed Press, August), which Jan Bull says ‘has the suspense of Michael Grant’s Gone and the rites of passage elements of Wendy Mass’ The Mango-Shaped Space‘; Singing Saltwater Country: Journey to the Songlines of Carpentaria (John Bradley & Yanyuwa Families, A&U, August), which Clive Tilsley says is ‘an engrossing book’ that should be read by ‘anyone with even the smallest interest in Australia’; and Like Being a Wife (Catherine Harris, Vintage, September), a collection of short stories that Rachel Wilson says ‘firmly lives up to’ some high expectations.

In children’s titles, Chris Morphew’s third book in ‘The Phoenix Files’ series, Mutation (Hardie Grant Egmont, August), got an emphatic thumbs up from reviewer Meredith Tate and Kumiko and the Dragon’s Secret (Briony Stewart, UQP, August) charmed Robin Morrow.

These are only a handful of the more than 40 titles reviewed in the issue, check out the magazine itself for more. (Subscribers, look out for your copy, non-subscribers, here’s a list of places good enough to stock the mag, as well as details on how to subscribe.)

INTERVIEW: Boyd Anderson on ‘Errol, Fidel and the Cuban Rebel Girls: A Novel’ (UQP)


Written by:
Posted: 28 June 2010 at 11:25 am

Bookseller+Publisher reviewer Scott Whitmont spoke to author Boyd Anderson about his forthcoming book Errol, Fidel and the Cuban Rebel Girls: A Novel, to be published by UQP in August.

Not many people today know of Errol Flynn’s Cuban connection in the last years of his life and his relationship with Fidel Castro. How much film and political history research was involved in the writing of the story? Was Cuban source material readily available?

No, not many people know of it, and I wasn’t one of [the few who did] until I saw a documentary on Errol Flynn that finished with a tossed-off line that went something like: ‘When Fidel Castro rode his victory parade into Havana in 1959, Errol Flynn was on the next tank.’ This appeared so preposterous that I went straight to that fountain of all absurdity, Google, where I found it was indeed true, and the more I read about it the more I felt that it wasn’t absurd at all, that it was inevitable that these two should be attracted—the celluloid hero seeking adventure, the genuine hero seeking fame. Each had what the other wanted. Put that together with the fact that both were renowned Don Juans, one an ageing stag and the other a young buck, and the deliciousness of this encounter was irresistible. Drama is conflict, and this is a drama that occurred but has gone unreported for 50 years.

Regarding research, there is little about their connection to be found. There are a couple of grainy and badly composed snapshots, a mention or two in despatches, but few reliable reports. For his part, Fidel refused to even talk about Errol Flynn soon after the victory. He confirmed the film star’s presence to a few American reporters, but then denied he was even there. Errol, on the other hand, bragged about it all over US television for months. Something dramatic had obviously happened. (more…)

BOOK REVIEW: Rise of the Ruddbot: Observations from the Gallery (Annabel Crabb, Black Inc.)


Posted: 26 June 2010 at 11:50 am

This book comprises Annabel Crabb’s own selection from her political writing over the past three years. Crabb is one of Australia’s most entertaining and incisive commentators and will be well known to anyone with more than a passing interest in Australian politics. A concise introduction sketches the origins of her interest in political writing and a warm-hearted afterword has Crabb telling us that she likes, respects and values most in politicians even while she is skewering them in the press. As for her writing, she can be flashy and abrasive and quick to create witty, unflattering phrases and put-downs, but behind her ebullient style lies an analytical mind and a clear-eyed view of the political issues, ideas, ideologies and personalities of the day. She tells us that ‘the beauty of the sketch-writer’s job is that the peculiarities can emerge, allowing the reader to enjoy some of the farce and folly that makes politics so fascinating’. As Alan Ramsey cautioned in his recent political pot-pourri A Matter of Opinion, the reader’s enjoyment of such material usually depends on his/her point of view. Anyone with an interest in Australia’s current political scene will find much to stimulate them in Rise of the Ruddbot. As for enjoyement–that’s up to you!

Max Oliver is a long-time bookseller and political sceptic. This review first appeared in the July 2010 issue of Bookseller+Publisher, before Julia Gillard replaced Kevin Rudd as Prime Minister.

BOOK REVIEW: Wordlines: Contemporary Australian writing (selected by Hilary McPhee, Five Mile Press)


Written by:
Posted: 11 June 2010 at 11:39 am

Hilary McPhee, as many will know, is one of Australia’s most respected publishing figures. Thus, my reaction to hearing that she has created a collection of Australian short fiction was one of excitement. And I was not disappointed. McPhee has brought together a collection of work that is, almost universally, excellent. For the hesitant, there are familiar names—Drusilla Modjeska, Alex Miller, Nam Le, whose compelling ‘Cartagena’ from The Boat opens Wordlines. Woven in among the more established names are writers that were completely new to me and were a great joy to discover. As a fairly regular reader of short fiction, opening with ‘Cartagena’ had me worried that I was going to end up rereading many pieces that I’d read before. However, ‘Cartagena’ was the exception. Indeed, many of the pieces in this collection have been written especially for it. Wordlines is intended to be the first in a series, which is another exciting bit of news. I look forward to reading future instalments and reaping the benefit of McPhee’s accomplished eye for enthralling, entertaining and challenging writing.

Eliza Metcalfe is a freelance writer and editor and former assistant editor of Bookseller+Publisher magazine. Wordlines will be published in July.

The new issue has landed!


Posted: 8 June 2010 at 2:48 pm

Well, the shiny new issue of Bookseller+Publisher has landed, with a big fat 20 on the cover—that’d be Allen & Unwin, who are celebrating 20 years of independent publishing this year. Happy Birthday A&U!

The July issue is full of news, profiles, author interviews and of course, reviews. There are several titles that earned five stars this time around, including The Good Daughter (Honey Brown, Viking, July), which Kate Summers at Riverbend Books says ‘carries the same dark, atmospheric weight of Sonya Harnett’s books, with an authenticity that will resonate with teenage, as well as adult readers’; Jon Bauer’s Rocks in the Belly (Scribe, August)—anybody who reads this book and isn’t instantly a fan probably wasn’t paying close enough attention’, says B Owen Baxter—and Kindling (Darren Groth, Hachette, July), which Toni Whitmont of online bookshop Booktopia says ‘is an absolute stunner’, with ‘shades of Mark Haddon’s The Curious Incident of the Dog in the Night-Time‘, and ‘in parts, of Scot Gardner’s Burning Eddy‘.

Tony Wilson’s Making News (Pier 9, July) impressed Riverbend Bookshop’s Lee McGowan, who calls the novel ‘a scathing commentary on tabloid journalism’s gorge on the greasy spoon of contemporary celebrity’—’a fast-paced, near-realist melodrama sliced through with box-cutter blade humour’. (more…)

The new issue has landed!


Posted: 22 April 2010 at 11:05 am

Ah, there’s the new-magazine smell again. Yes, the May/June combined issue of Bookseller+Publisher magazine just arrived in the office.

This issue has a gazillion reviews of as-yet-unpublished books (okay, 75), including such highly anticipated titles as Rebecca James’ Beautiful Malice (A&U, May), Fiona McGregor’s Indelible Ink (Scribe, June), Peter Rose’s Roddy Parr (Fourth Estate, July), Leanne Hall’s Text YA prize-winning This is Shyness (August) and Benjamin Law’s debut The Family Law (Black Inc., June). (If you want to know what some of our reviewers’ top picks were you can read about them in this post.)

As well as all those reviews, the May/June issue includes Kalinda Ashton (The Danger Game, Sleepers) writing about how she got where she is today, Kabita Dhara on the publishing scene in India, author interviews with Susan Maushart, Ben Groundwater, Bill McKibben, Amanda Braxton-Smith and James Phelan and lots more besides.

Subscribers, it will be on its way to you very soon. Non-subscribers, you’ll find a list of places you can buy a copy here. (Or you could, you know, subscribe: $130 a year. Bargain.)

Forthcoming titles: Our reviewers’ top picks


Written by:
Posted: 15 April 2010 at 1:25 pm

Among our reviewers’ top picks of forthcoming Australian books in the upcoming combined May/June issue of Bookseller+Publisher magazine are The Book of Human Skin (Michelle Lovic, Bloomsbury, May); Breaking News: The Golden Age of Graham Perkin (Ben Hills, Scribe, May); The Finger: A Handbook (Angus Trumble, MUP, May); When Hungry, Eat (Joanne Fedler, Allen & Unwin) and With Stendhal (Simon Leys—AKA Pierre Ryckmans, Black Inc., June).

We’ve also heard advance reading copies of Indelible Ink by Fiona McGregor (Scribe, June) are going down well with the staff of a certain Melbourne-based independent bookselling chain, drawing comparisons to Christos Tsiolkas’ The Slap. It’s reviewed in the May/June issue too: ‘McGregor presents a refreshing view of life in Australia—specifically Sydney—that celebrates the doubts, challenges and ordinary activities and emotions of everyday life … you don’t want to put the book down,’ writes our reviewer, bookseller Carly Been.

There are more than 70 reviews of forthcoming Australian and New Zealand books in the May/June issue of the mag. Here’s how you get your hands on a copy.

INTERVIEW: David Musgrave on ‘Glissando’ (Sleepers Publishing)


Posted: 9 April 2010 at 1:39 pm

In the April issue of our magazine, reviewer Richard Bilkey asked David Musgrave about his first foray into novel-writing, and found out why Patrick White may have had a laugh reading the forthcoming Glissando.

The title, Glissando: A Melodrama, immediately informs the reader that music will underscore everything in the novel. It is present both in metaphor and as a constant accompaniment to the characters’ lives. How did the musical effect of ‘glissando’ in particular come to be of such central importance to the novel?

One of the main themes of Glissando is the arts and how they are interrelated and the role art can play in our lives, and  the focus is really on architecture and music, although food, memory and writing also play important roles. The musical aspect came naturally, as I have played and written music since I was a child; the architectural aspect I guess came from a preoccupation with forebears who were colonial architects (and who feature in the book). Because I was interested in the arts in combination, Glissando refers to the musical technique of the glissade, to the house Glissando where the narrator lives and writes (the man who built it conceived of the house as a glissade realised in architectural form) and to the dying fall of the narrator’s life. So, in a way, music itself is a kind of master trope in the book for how art can shape our lives, for good and for ill.

Your previous work has often been noted for its clever use of satire and Glissando is no exception, targeting everything from self-righteous wowsers to the ‘majestic idiocy’ of the Sydney Opera House. Why is satire important to you as an author?

That’s a difficult question. It’s not really satire per se that is important to me, but the exuberance of the form. I was attracted to satire not because it is a form of attack but because it seems to open up possibilities and make new connections between things because the form is so varied and goes in so many different directions at once. I first became interested in satire when I studied a course under the late professor Bill Maidment at Sydney University. I was fascinated at the time by Tristram Shandy, and how it seemed to be wrestling with the idea of representation as a totalising act. Later, of course, I realised that Sterne was parodying encyclopaedic knowledge, and making fun of the attempt to make representation complete and total. My initial interest led on to studying other types of the same kind of satire, such as Rabelais, Swift, Peacock, Rushdie and many others. I actually ended up writing a book on it, called Grotesque Anatomies, which is being published in the USA later this year. People often think of satire negatively: for me, it is joyous and celebratory; the satirical targets in Glissando are often almost incidental to the fun, hopefully, that is had in doing so and they are treated fairly gently, I think. (more…)

BOOK REVIEW: Miscellaneous Voices: Australian Blog Writing No. 1 (ed by Karen Andrews, Miscellaneous Press)


Posted: 1 April 2010 at 5:21 pm

Some would not agree that some of the best writing appears in blogs. Editor Karen Andrews throws down the gauntlet by introducing her anthology as ‘an experiment to see how this writing, these writers, stand up to the challenge of the page; or to put it another way, to put them in front of another audience which may be more page-loyal.’ It is impossible to list everything here; suffice to say bloggers (well-known and not so well-known) chosen for this first instalment embrace all manner of subjects from the sacred to the mundane including earthquakes, the GFC, food marketing, what makes a successful cultural blog, Bill Clinton, the death of a child, a bombing, lettuce, grandparents, triffids, writing the first draft of a novel, lists, Silverchair, a massacre in East Timor, writing for a living, ebooks, and mashups of ‘great books’. There are fragments, poems, short pieces and longer pieces. Tones are just as varied as subjects and can be hilarious, irreverent or elegiac. References, blog sources and bios are also included. So, for those who are not blog readers, exposure to this significant array of voices and delicious flavours may be quite revelatory and may well produce some steady converts.

Paula Grunseit is a freelance journalist, editor and reviewer. This review first appeared in the April issue of Bookseller+Publisher magazine.