Miles Franklin shortlist

The shortlist for this year’s Miles Franklin Literary Award was announced in Sydney this morning, as reported by the Weekly Book Newsletter.

The three shortlisted titles have been reviewed by Bookseller+Publisher and all reviews have been published on Fancy Goods.

When Colts Ran (Roger McDonald, Random House)
Bereft (Chris Womersley, Scribe)
That Deadman Dance (Kim Scott, Picador)

Following the announcement of the shortlist this morning, some members of the Australia literary community expressed concerns about only three titles making the list. In 2010, six titles were shortlisted for the award. The absence of female authors on this year’s list has also attracted attention. See Angela Myer’s Literary Minded blog for more on the controversy.

BOOK REVIEW: Bereft (Chris Womersley, Scribe)

Chris Womersley’s Bereft, his second novel after 2008’s award-winning The Low Road, is a rich, gripping tale of love, loss, conflict and salvation. The prologue states that in 1912, during a storm in the ‘fly-speck town of Flint’, New South Wales, a teenage boy was found holding a knife next to his sister’s battered body. He fled the scene.

The novel then begins with this long-thought-dead young man, Quinn, contemplating life and death after his time in the trenches in the Great War, on a ship bound back home. Remnants of the war include a large scar across his face, and fits of coughing from gas exposure; but deeper scars lie from Quinn’s past, and he is returning to confront them. In the town of Flint, he is known as ‘the murderer’, so he cannot show his face—but he sets out to at least unburden his sick mother. He befriends a tough orphan girl, Sadie, who has strange abilities, a calming presence, and issues to resolve that are related to his own.

Womersley’s descriptions of this western plains town, its inhabitants and outsiders, plus the flashbacks to the war and to London, are fresh, rich and emotionally charged. The main characters, though their plotlines are not incredibly complex, are compelling, and even fascinating. There is an added layer of mood in both the setting and characters—gothic, magical—which makes the book a delight to consume, and makes the reader appreciate why the resolution (which could come sooner, really) is dangled, tantalisingly, through chapters of character development and skillful (but never thick) description, so that when it comes—when that moment finally comes— the reader’s reaction may be similar to mine, and that was to go ‘oh … cool!’ By then you have such a complete picture of Quinn, his state and his surrounds that it is like watching the final satisfying moments of a richly coloured and well-directed film.

This book is thoroughly enjoyable, compelling, moving, warm and completely memorable. I had that very rare experience of wanting to read it again, almost immediately. This book crosses the lines of popular fiction, literary fiction and mystery. It could be recommended to fans of Kate Grenville (though I think Womersley’s a more interesting writer), Tim Winton, Matthew Condon, Craig Silvey, Peter Carey, Peter Temple, Alex Miller and more.

Angela Meyer is a writer, blogger, and former acting editor of Bookseller+Publisher. This review first appeared in the August issue of Bookseller+Publisher, which reached subscribers in early July.