Dymocks to launch a publishing arm

Following hot on the heels of the news that a publisher has become a bookseller (Pearson purchasing Borders and Angus & Robertson online), comes the announcement that the bookselling chain Dymocks will launch a publishing arm in October.

To be called D Publishing, the web-based business will allow users to upload draft manuscripts online ‘and proceed to produce and publish their book’ the bookseller said in a statement.

Dymocks CEO Don Grover told the Weekly Book Newsletter that D Publishing will launch with two books by debut Australian authors in October. Dymocks are also inviting interested writers to submit manuscripts for consideration for a pre-launch trial of the service to dpublishing@dymocks.com.au. Dymocks will select 10 manuscripts from these submissions and the authors will be given the opportunity to produce their books in the lead-up to the October launch.

Following the launch, Grover said the first step for interested writers will be to upload their manuscript online. They will then be able to choose various features to add to their book, including cover design, editing and typesetting work. The author can then select to print hard copies of the book, using a print-on-demand option and create an ebook version of the title.

Grover said ‘a very small team internally but a much bigger team externally’ will be employed to work in the publishing arm of the business, and D Publishing will work with Griffin Press to provide the print-on-demand aspect of the service. ‘We think there’s a big opportunity for freelancers to be a part of it,’ said Grover, adding that Dymocks is ‘really looking forward’ to talking to those in the industry who might like to be involved.

Grover said more information about author rights and royalties for D Publishing titles will be available once the service has been launched. Titles published by D Publishing will have ISBNs and barcodes and ‘in certain circumstances, obviously at our choice, we will look at international and Australian distribution,’ said Grover.

Read more here.

List of lists: Best books of 2010

Quite a few best books of 2010 lists have crossed our paths recently, so we thought we’d put them together in a list of lists! If there’s a great list we’ve missed, let us know in the comments.

For now:

Best books of 2010

Best children’s books

Best cookbooks

Best business books

Best science fiction and fantasy

Kobo launch: forget about the device, look at the titles

[a version of this article first appeared in Crikey on Friday 21 May as a subscriber-only story. Many thanks to Crikey and its editor Sophie Black for permission to reproduce it here on Fancy Goods—TC]

As the REDgroup rolls out its Kobo ebooks platform, let’s forget about the device for a moment and look instead at the title offer. Mainstream media stories seemed to be all about the Kobo ereader, but this launch represents a notable step in the development of a local ebook market not because of the gizmo but because it’s the first time an ebook retailer has been able to offer a significant range of Australian ebooks to sell, across a range of reading devices. (Dymocks, of course, was a pioneer in launching its ebook offer in 2007, but Dymocks arguably went too early and have been held back thus far by a lack of local content …)

The Kobo reader itself is cheap—at $199 it’s pretty much the cheapest dedicated ereader on the market, and it is pretty basic. But that’s not really the point: ereading is quickly moving away from proprietary devices and multiple formats toward files in a standard format (ePub) that can be read on a range of devices. One of Kobo’s stated advantages is that it is cross-platform: Kobo promises that its ePub titles—while still being restricted/protected by Digital Rights Management to prevent copying/sharing—will be able to be read on a range of devices from smartphones to tablets to laptops to desktop PCs. And if you have ePub or PDF files from other sources, they should be readable on the Kobo reader or in the Kobo apps.  (Frustratingly, if you have already bought yourself a Kindle from Amazon &/or you have Kindle ebook files downloaded on your computer or iPhone, you probably won’t be able to easily read those on the Kobo reader … Amazon supplies its ebooks in a proprietary format that ties them to either the Kindle reader device or Kindle app.)

But what about the list of titles on offer? Kobo seems to have energised and engaged with Australian publishers in a way that the overseas players (Kindle, Apple, etc) haven’t so far. Australian readers will now be able to go to one place to buy ebook versions of books published by up to 100 local publishers, ranging from the local offerings of the multinationals: HarperCollins, Simon & Schuster, Pan Macmillan and Hachette, for example; to books from Allen & Unwin (which has offered many of its titles as ebooks for a number of years), MUP, UQP, Scribe, Text and many others from Australia’s diverse independent publishers. ‘The offer is about us trying to offer as many Australian titles on this open platform as we can,’ REDgroup’s communications manager Malcolm Neil said. Here are some authors whose titles you can buy now on Kobo you can’t (yet) get on Kindle: Kate Grenville, Shane Maloney, Peter Temple, Malcolm Knox, Thomas Kenneally … Continue reading

Why can’t Australians buy the ebooks they want?

In the past few months, the world seems to have gone ebook mad. First the Amazon Kindle was made available locally, now we await the Apple iPad, due at the end of May. Plenty of people are already reading on iPhones and other mobile screens, and there are quite a number of other readers available and an ever-expanding choice of online stores from which to buy ebooks. The reader devices vary in price and features, but for Australian users one complaint is common: I’ve paid for the gizmo, now why is it so hard to buy the ebooks I want to read on the damned thing?

The short, but far from simple, answer is that it’s due to territorial copyright, contractual arrangements between authors and publishers and the long-established ways of book publishing—and it’s nothing to do with Parallel Importation regulations (PIRs) in Australia’s Copyright Act (the restrictions that were such a hot topic of debate last year). That’s because PIRs only cover print books. Electronic files are only considered in the Copyright Act if they’re in physical form—i.e: burned onto CDs/DVDs. There is currently no provision in Australia’s Copyright Act that covers ebook files.

A common misconception is that it is Australian publishers that are restricting access to ebooks that are available to readers in other countries; but this isn’t really the case. On the whole it is US (and in some cases UK) publishers who are setting geographical restrictions on ebooks based on (a cautious reading of) their existing book contracts.

In the simplest (and for this example the best) case an author would sign a global contract with one publisher to sell their book in all markets and in any and all formats. In reality, for the vast majority of books, authors grant only certain rights to their publisher, and usually they choose a different publisher in each major territory. So a US publisher may well acquire print and electronic rights for a particular book for the US market only; meanwhile the author (via their literary agent) is shopping around for the best offer and will try their hardest to sell separate rights to publishers in the UK, to Canada, to Australia and translation rights to other countries, and they may or may not sell electronic rights along with print ones. At the moment, the US is leading the way when it comes to ebooks, so any geographic restrictions imposed on the US publisher in a book contract are coded into their ebook files at the time of their conversion and are a layer of the Digital Rights Management (DRM) that virtually all publishers insist on—and with which retailers have no choice but to comply.

Few ‘global’ books

Publishing is increasingly international, with about half a dozen dominant global players (Penguin, Random House, Hachette, HarperCollins, Macmillan and Simon & Schuster), but there are very few global books. Even the most recognisable of international bestsellers will often be published by a different company in each territory (for example, Stieg Larsson’s Millenium trilogy is published by Quercus in UK, and that edition is distributed via Murdoch Books in Australia, but Random House is Larsson’s publisher in the US). In a borderless online world, you can begin to see the problem: if an Australian customer downloads an ebook from Amazon.com in the US, which publisher receives the revenue? Continue reading