Back in the most mentioned chart is Hand Me Down World (Lloyd Jones, Text), about a North African woman who washes ashore in Sicily and is looking for her son. Receiving the same number of mentions is Peter Robb’s journey through the history, culture and mean streets of Naples in Street Fight in Naples (A&U). How to Make Gravy (Paul Kelly, Hamish Hamilton), Greek Pilgrimage (John Carroll, Scribe) and Mr Shakespeare’s Bastard (Richard B Wright, Fourth Estate) were also regularly mentioned in the media this week–Media Extra.
Paul Kelly’s story begins with the Spiegeltent in Melbourne in 2004 when he was offered an exclusive show: four nights of never-to-be repeated performances. Around that was born the idea of singing 100 of his songs in alphabetical order, each night consisting of a completely different set-list. Around the songs, storytelling was added for theatrical effect, and as the shows hit the road they were recorded with a view to a CD release and then a book. How to Make Gravy is the ‘mongrel beast’ that emerged, and what a beast it is. Part memoir, part tour diary, part song-writing manual, this sprawling book is filled with all manner of letters, lists, confessions, hymns and yarns. Kelly’s 100-plus songs begin each chapter (alphabetically) followed by a story that loosely or closely relates to the song. That Kelly is a consummate storyteller is evident in his song-writing. Here he has space to explore his storytelling skills further, which he does admirably, weaving in and out of the past and present easily and with an intimacy that invites the reader into his world. This book is full of tales that will delight Paul Kelly fans, and will appeal to anyone with an interest in popular music. How to Make Gravy is also available with an exclusive 8-CD box set entitled The A-Z Recordings and a 64-page booklet of photos for $125.
Deborah Crabtree is a Melbourne-based writer and bookseller. This review first appeared in the October 2010 issue of Bookseller+Publisher.
Which books got good reviews in the October issue of Bookseller+Publisher you ask?
The proof copy of Caroline Overington’s novel I Came to Say Goodbye came covered in glowing quotes from Random House staff who’ve read the book and our reviewer Scott Whitmont has joined the chorus. He calls the novel ‘a gripping blockbuster that booksellers can recommend unreservedly’ and predicts Overington’s following ‘is destined to grow in leaps and bounds’.
Toni Whitmont was impressed with That Deadman Dance by Miles Franklin winner Kim Scott (Picador, October), suggesting it will ‘surely attract consideration for a raft of major prizes’. ‘While the story is compelling,’ writes Whitmont, ‘what makes this an extraordinary book is the writing. Scott’s prose shimmers.’
Andrew Wilkins was equally taken with a collection of work by the late Dorothy Porter. Love Poems (Black Inc., October) ‘brings together poems and song lyrics from across Porter’s career, gathered into sections that suggest love in its various phases’ and is ‘simply an essential collection of Australian poetry,’ says Wilkins.
Other eagerly awaited books being reviewed in this issue include Tim Flannery’s Here On Earth (Text, October), which Eliza Metcalf says is ‘an important read’. ‘Flannery traces our species’ evolution and expansion out of Africa and across the globe, noting the trail of destruction we left in our wake,’ she writes. ‘The picture he paints is a fairly devastating one, but also quite awe-inspiring.’
Paul Landymore assures readers that When Colts Ran, the new novel by Roger McDonald (Vintage, November), lives up to expectations raised by the author’s Miles Franklin win in 2006. ‘If you’re a fan of Australian literature then I’m sure you will find this book, as I did, a deeply satisfying read,’ writes Landymore.
Deborah Crabtree, our regular music book columnist, was taken with Paul Kelly’s How to Make Gravy (Hamish Hamilton, October), a book that grew out of series of performances Kelly put on in 2004. ‘Part memoir, part tour diary, part song-writing manual, this sprawling book is filled with all manner of letters, lists, confessions, hymns and yarns,’ writes Crabtree, adding that the book gives Kelly ‘space to explore his storytelling skills further, which he does admirably, weaving in and out of the past and present easily and with an intimacy that invites the reader into his world’.
And that’s not to mention Lloyd Jones’ Hand Me Down World (Text, October), Kate Holden’s The Romantic (Text, October), Things Bogans Like (E C McSween et al, Hachette, November), Toni Jordan’s Fall Girl (Text, October), and many, many more…
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